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Btvs Guide

3x11- Birthday

on . Posted in Btvs Guide - Angel Script

    Previously on Angel:

    Angel: "I'm gonna have a son."

    Darla stakes herself leaving the baby behind in the rain.

    Cordy: "I have a room mate. It's cool I never see him. He's a ghost."

    Fred: "When I see you and Cordelia sparring... It's only natural that you and she should be drawn to one another."

    Cordy clocks Angel on the nose, and he turns his head to hide the pain from her.

    Gunn: "Cordelia, she doesn't choose to have a vision. The Powers send them to her when they got info to share."

    Cordy: "I look forward to my next vision."

    Series of highlights of some of the worst vision pains Cordy's gotten over the years.

    Angel: "Easy. Are you gonna be alright?"

    Cordy is taking pills in the bathroom: "These visions are killing me."

    Cordy to Angel: "If I lose the visions, I wouldn't be able to help you anymore. You wouldn't need me."

    Close up on a bedraggled and shaken looking Cordy.

    Cordy: "I'd - just like to say thank you. (Deep breath) You believed in me when no one else would. Even in my darkest hours you were there for me (almost starts crying) and that means more to me that you'll ever know. (sniffs) I guess what I'm really trying to say is - I love you. - To all my fans: (Holds up a scrub brush in plastic gloved hand) this is for you!"

    Shot widens to show that Cordy is sitting on the floor of the Hyperion lobby. Fred is sitting a little ways away, wearing yellow plastic gloves and applauding wildly.

    Fred: "Wow! That was just - wow. 'cause... oh, and with the tears! I-I got chill bumps all up my arms."

    Cordy: "Yup. That's the famous speech. Not that I'll ever use it of course - unless they start handing out awards for best slime and grime. - Oh, I swear. Next time Angel decides to blow something up he's cleaning his own scorch marks."

    Gunn walks in wearing a hairnet and facemask and carrying a spray bottle.

    Gunn: "Ladies. Less yammering, more scrub."

    Cordy: "My, Gunn. Don't you look - sterile."

    Gunn takes the facemask off: "Couple more hours of sniffing that industrial cleanser, I think I might be. Hey, I don't suppose you ladies wanna trade jobs?"

    Cordy: "Ah - hmm. Scrape up Wolfram and Hart's entrails off floor, hmm - Fred?"

    Fred: "You're screwed."

    Cordy chuckles and goes back to scrubbing the floor.

    Gunn leans in closer to Fred: "Wes back yet?"

    Cordy: "No. He's still at the store picking up some more extra strength ick remover."

    Gunn salutes Fred with his bottle and leaves.

    Angel: "Look who's up from his nap."

    Cordy pulls off her gloves and gets up: "Oh, Conner!"

    Angel curls up protectively around the baby as Cordy stretches out her hands.

    Angel: "Whoa, whoa, whoa, whoa - dirty people. Not touching the baby."

    Cordy: "But pig-drinking bloodsuckers are okay? - I meant that in a nice way. Okay, I'm gonna go wash my hands, but when I get back I get first dibs on baby snuggles."

    Angel calls after her: "Don't forget to get under your fingernails. (Quietly to Fred) Does she know?"

    Wes burst through the door carrying a couple of bags.

    Wes: "Where is she?"

    Cordy is in the bathroom popping some pills from a prescription bottle.

    She comes out of the bathroom to find Gunn and Wes holding a cake with six lit candles and the picture of a female superhero on it. All four start singing 'happy birthday.'

    Cordy grinning: "Oh you guys. I can't believe you did this."

    Gunn: "Don't just stand there. Blow out the candles, girl."

    Cordy blows out the candles and they guys cheer.

    Fred: "Did you make a wish?"

    Cordy: "I sure did. Ah, Jude Law was a little busy, huh?"

    Wes: "Oh, how disappointing for you. Well, I guess you won't be wanting the presents we..."

    Cordy: "Oh, wanting. Wanting presents."

    Gunn and Wes put the cake on the lobby counter.

    Angel: "Do you want to hold the baby now?"

    Cordy: "Yeah. (Takes Connor) Oh, thank you. Hey, honey. Yeeh, the baby, baby."

    Angel shifts awkwardly then pulls a small box out of his pocket.

    Angel: "Uhm - ah, I - I got you a - a little something."

    Cordy takes it: "Oh, Angel, you didn't have to do that. You have enough to take care of as it is."

    Angel: "Well, I'm a champion. (Chuckles) We do important stuff. Hey, and who's more important then..."

    Wes: "You have to forgive the wrapping. Some of us seem to have fostered a strange addiction to Scotch tape."

    Wes, Fred, and Gunn come up, each of them carrying a big, wrapped box with a big bow on top.

    Cordy: "Oh - what a cruel dilemma: presents of sweet little baby face."

    Cordy looks down at Connor and coos. Then her head whips up all smiles gone.

    Cordy to Angel: "Take the baby."

    Angel: "You're choosing birthday gifts over my kid?"

    Cordy: "Take the baby! Take the baby!"

    Angel quickly takes Connor as Cordy gets hit by a vision.

    Cordy: "There's a teenager, a girl, she... she..."

    Cordy is suddenly blasted backwards into the glass doors of the weapons cabinet.

    The others cluster around her as she lies motionless on the floor.

    Fred: "Is she alright?"

    Close on Cordy as she gasps and sits up.

    Cordy: "I'm fine - you guys. I'll be okay. I'm just..."

    Cordy turns to see all of the guys clustered around her body - lying a few feet away from where she is.

    Cordy: "Dead?"

    Intro

    Right back where we left off.

    Fred: "Oh, no."

    Angel: "Take him. (Hands Connor to Wes) Come on Cordy, wake up. It's all over. Come back to us."

    Cordy: "I haven't gone anywhere. Angel..."

    Angel: "Please wake up."

    Wes: "Angel, is she..."

    Angel and Cordy: "No!"

    Cordy: "I'm not?"

    Angel: "She's still breathing. Her heart's still beating."

    Cordy: "Yes! But - If I'm not dead then..."

    Angel: "She's just in some sort of trance or a coma."

    Cordy: "Like hell I am!"

    Angel: "Well, let's get her over to the couch."

    Angel and Gunn pick up Cordy's body and carry it over to the couch.

    Angel: "Easy."

    Gunn: "All right."

    Angel: "Easy."

    Cordy watching: "Ookay. I get it. This is some kind of bizarre birthday present you guys cooked up."

    Fred spots the bottle of prescription pills on the floor where Cordy's body was lying and picks it up.

    Cordy: "Alright. The joke's on me. Now put me back in my body!"

    Angel: "It was a vision, wasn't it? I mean, she just started saying something about a girl..."

    Cordy: "That's right. She's in a house on Oak street (the others keep talking, but we can't hear what they're saying anymore than they can hear or see Cordy) the middle of Reseda. It feels like we have some time here, but - but (looks at the others) you can't hear me at all, can you?"

    Lorne coming down the stairs: "What's all the hubbub, bub?"

    Cordy: "Lorne! Thank god! You can hear me, right? 'cause if there's some weird, other-worldly thing going on you'd still be able to..."

    Cordy trails off as Lorne walks right through her, never noticing her.

    Cordy: "Oh. That's not good. (A black shadow passes overhead) Did anybody else just see that?'

    Lorne: "Jumping Judas on a unicycle. What happened?"

    Angel: "All we know is that she had a vision."

    Fred: "There is a lot we don't know. I think she dropped this."

    Holds out the bottle of pills to Angel.

    Cordy: "No Fred! Put that away. That's not important."

    Fred: "Seltrex."

    Wes: "Oh god."

    Angel: "What's Seltrex?"

    Cordy: "Nothing! It's just..."

    Wes: "Seltrex is a highly powerful migraine medication."

    Gunn: "Maybe we should get her to a hospital."

    Angel: "So they can do what? Do what they did last time, strap her to a bed and tell us there's no hope?"

    Wes: "Angel is right. Seltrex is potent but - it doesn't cause the catatonia."

    Lorne: "I'm picking up some hardcore woo-woo vibes in the room. This ain't medical, kids. It's mystical."

    Fred: "That's what I'm saying. There is so much we don't know. If Cordelia is taking a drug this powerful in secret, the visions are probably doing a lot more damage than she lets on."

    Gunn: "This last one must have overloaded her."

    Angel: "Don't say last! Okay? She'll come out of this. She has to."

    Cordy: "She will!"

    Angel: "Okay. Look, if this is a mystical problem there has to be some kind of mystical solution."

    Cordy: "There you go. Great idea!"

    Angel: "Gunn, you and Fred go to Cordy's place."

    Cordy: "No! Bad idea. Bad idea!"

    Angel picks up Cordy's body: "See if she's been hiding anything. Anything that could tell us what's wrong with her. Wes?"

    Wes: "I'll hit the books."

    Lorne: "I'll take the little peanut."

    The group disperses, leaving Cordy behind in the lobby.

    Cordy: "Does nobody care that there is a girl in Reseda that is about to be fed to a no-eyed, three-mouthed monster? (Hears indistinct whispering and looks around) What? - Hello? - Message. I'll leave a message."

    Cordy walks over to the counter top but her hand goes right through the pens sitting there. Tries again, with the same results.

    Gunn and Fred stand inside the door of Cordy's apartment facing a floating party hat and noisemaker, confetti floating down from the ceiling and a 'happy birthday' sign.

    Gunn: "I think Phantom Dennis was expecting the birthday girl."

    Fred smiles and steps forward: "Oh. Hi there. I-I know we haven't been formally introduced... Actually I'm not sure how to introduce myself to someone who is, you know - former. But, I'm Fred. (Reaches out and shakes the top of the party hat) It's nice to meet you."

    Gunn smiling: "Fred, you are - you are so cool."

    Fred: "I think we should tell him."

    Gunn takes a deep breath and steps forward.

    Gunn: "Okay. Uh. You might wanna... (To Fred) Do ghosts sit down?"

    Wes is sitting at his desk reading a book. Cordy is standing in front of it, yelling at him.

    Cordy: "Wesley. Wesley! WESLEY! (Waves her arms wildly) Yoo-hoo!"

    Wes: "But if she's in the astral plane, she could be here unable to communicate."

    Cordy sighs: "Yeah. Here! Unable to communicate. (Slowly walks over to take a look at Wes' book) 'Astral Projection.' I should read up. (Wes turns the page over) Wait, don't turn - turn..."

    Fred: "It doesn't make any sense."

    Gunn: "What doesn't?"

    Fred: "It's all - normal."

    Shuts the door to Cordy's bathroom vanity.

    Gunn: "And that's wrong?"

    Fred: "No (turns and sees Gunn standing in the door, one of Cordy's bras in his hands) what's wrong is you picking through Cordy's (fails around as Gunn raises his eyebrows at her) support - things."

    Gunn: "What - this? Come on, you're telling me you never hid anything in your underwear drawer?"

    Fred: "I don't know. I mean, for five years I didn't even have... Can we not talk abut my underwear, please? - And put that down. (Gunn does) I just figured if Cordy was taking something serious like Seltrex she'd have tried other stuff first. But - there is not even any Aspirin in here. (Leans in closer to Gunn) I think he's protecting her."

    Gunn looks around the room, the steps back into Cordy's bedroom.

    Gunn: "Phantom Dennis? Listen, we would never ask you to betray Cordelia, but we need to see whatever it is she's been hiding from us. I mean, unless you're so hyped on the ghosting life that you want her to join you?"

    After a moment, Gunn sighs and drops down on the end of Cordy's bed. A storage container slides out from under the bed. Fred and Gunn open it.

    Fred: "Hmm. You looked through the underwear drawer first, didn't you? (They pick up several prescription bottles) The date on this prescription? It's from a year ago."

    Cordy's body is lying on Angel's bed. Angel is sitting in a chair beside it, holding her hand. Through the opening to the next part of the suite we can see Connor's crib.

    Angel: "Cordy - Look, I know that you can't hear me, but - there is something I have to say. (Puts down her hand) You really piss me off, you know that? I thought we trusted each other. But you've been lying. MRI's and CAT scans? It's been going on for over a year. Why couldn't you let me in? I could have helped you. You make me so furious."

    Cordy: "You're furious? I get body-jacked on my birthday, and *you're* the one that's furious?"

    Lorne walks in: "Knock, knock. How is she?"

    Angel: "The same. You ready?"

    Lorne: "As I'll ever be."

    Cordy: "For what? What's he gonna do?"

    Lorne sits down on the edge of the bed.

    Lorne: "Although I'm sort of wishing I brought my helmet. Last time I tried this I got blown across the room."

    Cordy: "Oh, god, please let this work."

    Lorne puts his fingers on the temples of Cordy's body and closes his eyes. Cordy closes her eyes as well.

    Lorne: "Cordelia? Are you there?"

    Cordy: "It's me. Lorne, I'm here."

    Lorne: "Cordelia?"

    Cordy's eyes pop open: "Yes! One seven one Oak street. Can you hear me? Lorne?"

    Lorne takes his hands away and looks at Angel.

    Angel looks from Cordy's body to Lorne: "What?"

    Lorne: "Cordelia's not in there. She's just gone."

    Cordy: "I'm standing right in front of you."

    Angel sighs and rest his head on his hands. Cordy looks up as she hears the indistinct whisperings again.

    Cordy: "And - I'm afraid."

    Angel raises his head: "No. This isn't gonna happen. (Gets up) I don't care how many favors you have to call in. I don't care how many gods you have to cross. You have a connection to the Powers That Be and you're gonna find me a way to talk to them. Understand?"

    Lorne backs up a step: "A-angel honey, it-it's not that easy. I mean, contacting the Powers is a muddy, not to mention dangerous, area. But this is a - this is a bit much to ask."

    Angel: "I'm not asking."

    Lorne sighs and leaves. Angel sits back down on the chair beside the bed.

    Blend to Cordy sitting on the floor at the end of the bed. She looks over as Angel begins to snore. Cordy gets up.

    Cordy: "Finally! (Walks over to Angel) Okay, Wes, let's hope your books know what they're talking about."

    Cordy sits down on the chair, melting into Angel's body as she positions herself to match Angel's. Angel's head comes up and he exhales slowly as he straightens. He sees a permanent marker on the nightstand, and knocks over a glass sitting beside it as he picks it up. Moving slowly, he starts to write 171 Oak on the wall above the bed.

    We hear indistinct whispering and a dark, smoke-like shadow writhes across the wall beside Angel.

    (I missed the next part because of a glitch during the recording, but I take it that the shadow threw Cordy out of Angel's body, making Angel fall to the floor.)

    Wes walks in just as Angel picks himself up off the floor.

    Wes: "Angel - what are you doing on the floor?"

    Angel: "I don't know. I had this dream that, uh - Cordy was here. She was - ah, trying to tell me something. Something really important."

    Cordy: "Yes! And, and...?"

    Angel: "It's weird."

    Cordy: "*How* are *you* a champion? In what *way* are *you* a champion?"

    Wes: "Fred studied Cordy's latest CAT scans. The news isn't good. The tests show widespread neuro-electrical deterioration."

    Cordy: "That's just a fancy way of saying..."

    Angel: "She's dying."

    Cordy after a beat: "I think I like the fancy way better."

    Wes: "I'm still working on, ah, the mystical aspect: trance states, astral projection, spiritual possession. But so far I haven't been able to... Why don't you take a break? I-I'll watch her and Connor."

    Angel leaves, not meeting Wes' eyes.

    Cordy looking down at her body: "I'm not ready yet."

    A wind starts blast through the room affecting only Cordy. She backs into a corner and slowly slides down to the floor, watching as the dark shadow seeps out of the wall opposite her. The air ripples like a pond and Skip (the demon from TVT) materializes from it.

    Skip: "Hey. How's it going?"

    Break

    Cordy slowly stands up takes a few steps closer to Skip.

    Cordy: "You're - you're - death? You've come to take me."

    Skip burst into echoing laughter.

    Skip: "Kidding. (Offers her his hand) I'm Skip. (Cordy just looks at him) You're Cordelia Chase, right? (Cordy nods slightly) Sorry it took me so long, I... (Indicates her body) Is this you? Most people go astral, their spiritual shapes tend to be an idealized version of themselves. You know, straighten the nose, lose the gray, sort of a self-esteem kind of thing. You're pretty confident, aren't you?"

    Cordy: "What is this? Who are you? What the hell is going on?!"

    Skip: "You have questions. I get that. And I'll answer them, too, but first we got to get out of here."

    Cordy: "But why? Here is good. I feel really comfortable here. I-I like here."

    Skip: "But you see, there is a slight problem: you - don't belong here anymore."

    Cordy: "Because I'm dead?"

    Skip: "Not yet. But you will be - very soon - unless - you - come with me."

    Cordy looks over towards Wes sitting on the chair beside her bed.

    Cordy: "Well, I'll follow you on-on one condition. You have to tell my friends about this vision that I had."

    Skip: "Sorry. No can do. I'm not a messenger. I'm just a guide."

    Skip holds out his hand to Cordy.

    Cordy looks at it: "I don't wanna die."

    Skip: "So don't."

    Cordy slowly puts her hand into Skips. There is a blue flash of light.

    We see a stack of CAT scan prints lying on Wes' desk.

    Fred: "That's from eight months ago. The red spots are what they call hot areas or what you'd expect from a healthy, functioning brain. This one is dated one month ago."

    Gunn: "Cordy's doctors couldn't explain it."

    Fred moves the print, revealing one that's mostly green and yellow underneath.

    Fred: "See - green is a cold color, usually signifying dead areas of the cerebrum. Normally you wouldn't see a scan like that..."

    Gunn: "Unless the person was a cucumber."

    Angel: "How could we not know?"

    Lorne comes in moaning: "Oh, for the love of god, somebody get me a sea-breeze."

    Lorne's clothes are torn and his left horn is dangling by a thread.

    Fred: "Lorne! What happened?"

    Lorne: "I can't really talk about it."

    Gunn: "Then how the hell are we supposed to find them so we can kick their asses?"

    Lorne: "Ah, no. I mean I *can't* talk about it. They cast a spell. I went down to the lo...(his speech turns to incoherent mumbling) See?"

    Angel: "Did you get the information?"

    Lorne: "Oh, why yes, Angel. My horn should grow back in a couple of days. So kind of you to be concerned. - Well, they didn't say I couldn't write it."

    Lorne holds out a piece of paper. Angel takes it, grabs his coat and heads for the door.

    Lorne: "Angel, all kidding aside, this isn't something to be taken lightly. Only a champion can deal with the conduit. And even then you have to la-argh arr..."

    Angel: "I'll keep that in mind."

    Angel leaves and Lorne shakes himself.

    Cordy looks around as a flash of white light resolves itself into a deserted open room.

    Cordy: "Is this... This is a mall."

    Skip: "We just figured you'd be more comfortable here."

    Cordy: "We?"

    Skip: "The Powers That Be."

    Cordy: "The Powers That Be popped me out of my body and sent me to a mall?'

    Skip: "Actually, this is more a construct of a mall. You know, like in the Matrix."

    Cordy: "You've seen the Matrix."

    Skip: "Oh, I love that flick. When Trinity is all 'dodge this' and the agent just crumples to the (Cordy sighs) and I'm not really instilling any *awe* anymore, am I?"

    Cordy: "Why did you bring me here?"

    Skip: "To give you a choice. But, we'll get to that later. Right now there is something I want you to see."

    Skip touches an info-TV-screen and motions here over as a picture of Doyle appears on it.

    Cordy: "Oh my god. - Doyle."

    The screen shows the kiss that transferred the visions for Doyle to Cordelia.

    Skip: "This is where it happened, big cosmic whoops. - Doyle was never meant to give you those visions."

    Cordy: "The why did the Powers let him?"

    Skip: "Well, they're usually pretty good at catching that sort of thing. What they didn't count on where his feelings for you."

    Cordy: "You mean - Doyle gave me the visions because - he loved me?"

    Skip: "I can't answer that. What I *can* tell you is that it was a mistake."

    Cordy turns away: "But I thought the Powers That Be knew everything."

    Skip: "Life and death, that sort of thing, they got a handle on. Who someone chooses to love, well, that's just good old free will. See Cordelia, the visions are an ancient, powerful force. Demons are the only ones who can withstand them."

    Cordy: "But I've had them for more than two years now. Doesn't that mean I'm strong?"

    Skip: "Strong, yes. Demon, no. Just ask Tammy here."

    Cordy: "Tammy where?"

    Skip steps aside to reveal a girl dressed like a peasant.

    Tammy (in Cockney accent): "Hello, miss?"

    Cordy spins to face her.

    Skip: "This is Tammy. She had the visions back in - sixteen thirty?"

    Tammy: "Aye. Had 'em well neigh on a year, and a hellish year it was, too. Town fathers called me a witch, wanted to burn me at the stake."

    Cordy: "They killed you because you had visions?"

    Tammy: "No, miss. They didn't have to. (Turns so her back is facing Cordy) Last vision I had blew out the back of me skull. (Tammy turns back around and we see the hole in the back of her head) We wasn't mean to have the visions, us humans. Look, you want my advice, you listen to our man Skip here. He won't steer you wrong, this one."

    Skip smiles: "Aw, get out of here. (Turns serious) Really. Get out. I've got work."

    Tammy leaves.

    Skip to Cordy: "You okay?"

    Dissolve to a white light and whisperings that resolves into chamber. Its walls are hidden in the shadows. The only thing in it is a square cube of stone with a fire burning on top.

    We hear a scream and Angel drops into frame to land face down on the floor beside the cube.

    Angel: "Thanks Lorne."

    Voices: "It is come. The champion is come. (Angel picks himself up and looks around) Come for what? Answers not to be had. Death is certain. Death awaits."

    Angel: "I wanna talk to the conduit."

    Voices: "We are the conduit. We are the gateway, the all the time, the ever. It wishes to speak to us."

    Angel: "Yes, it does. Are you gonna show yourselves?"

    Voices: "We are unseen. Formless. It speaks unknowing. Send it away."

    Angel: "I'm not going anywhere until I get my message to the Powers That Be. My friend - Cordelia - has visions given to her by the Powers. They're killing her. I want the Powers to take them back. - Let her go. She's suffered enough!"

    Suddenly Angel flies across the room to smash into one of the walls.

    Voices: "Suffering? Does it know suffering?"

    Angel flies across the room to smash into the opposite wall then drops to the floor.

    Voices: "Yes it does. - The Powers owe nothing. Send it away. Send it away."

    Angel picks himself back up: "I'm not finished."

    Skip: "You ever have the vague sensation that maybe you left the oven on? Or that you're supposed to call someone back, you just forgot who it was? More to the point, have you ever felt that way about your acting career?"

    Cordy: "I don't have an acting career."

    Skip: "Which sort of brings me to my next point."

    Skip points to a stack of TV screens and they come to life, showing scenes of a Hollywood party.

    Cordy: "Hey! I remember that night."

    Skip: "You'd been in LA for a few months, things had been kind of lean, and who should you run into?"

    Angel appears on the screen, making his way through the party goers.

    Cordy watches with a slight smile on her face as she and Angel meet at the party from "City of..."

    Skip: "Your entire life changed that night. In ways you couldn't imagine. Indescribably painful ways, I think you'll agree. Now, what if the play ran a little different? (The picture on the screen rewinds) You're on the sideline over here, (Skip points and a white x appears on the lower right corner of the screen) talking to a couple wanna-be moguls. Angel is down field here. (A circle appears around Angel's head in the back of the screen) Instead of cutting through the middle to meet Angel, (two white intersecting lines appear on the screen) what if you'd been forced to counter? What if *this* guy, (a circle appears around another man in the crowd) who happens to be a very powerful talent agent, flanks you (A white line connects the circled agent to the X denoting Cordy's position) and drew you off side? (A white line leads from the X in the right lower corner of the screen over to the left corner and another X) What would happen then?"

    Cordy: "I'd, ah, score a touchdown?"

    Skip: "Metaphorically speaking, heck, yeah! Inside every living thing there is a connection to the Powers That Be. Call it instinct, intuition. Deep down we all know our purpose in this world."

    Cordy: "Are you saying that - I was meant to be an actress?"

    Skip: "No. I'm saying you were meant to be an incredibly famous and wealthy actress. And the Powers That Be can make that happen."

    Cordy: "They can do that? They can turn back time?"

    Skip: "They don't go for that - much. Think of it as 'writing over history.' From this moment on you could live the life you always wanted. No monsters, no visions, no dying. Well, not for a long time, anyway."

    Cordy: "But no Angel."

    Skip: "Cordelia, I want you to listen to me. If you go back inside your body, you *won't* wake up. You will lie there, unable to move, unable to speak - until the next vision hits you and then you will die."

    Cordy: "But that's not fair. How's Angel gonna know to save that girl if I don't tell him where she is? He needs me."

    Skip after a beat: "Let's go in here."

    Skip takes a hold of Cordy's hand and pulls her through one of the walls of the mall - into the space where Angel is arguing with the Conduit.

    Voices: "Its pleas are pointless. Her path is chosen. We will not interfere."

    Angel: "The visions are too much. She's not strong enough to handle them."

    Voices: "Obstinate. It speaks and does not listen."

    Angel spins around, yelling: "No, you're not listening! Cordelia is not a champion. She is a rich girl from Sunnydale who likes to play superhero. She doesn't have what it takes to do this! Don't the Powers get that? Stop whispering and listen to me, damn it! She's weak."

    Cordy: "Skip. Get me out of here. Now!"

    Skip and Cordy melt away.

    Angel: "You're killing her. She's unconscious, and she's alone. Who knows if she's in pain?"

    Voices: "It is angry. It is afraid."

    Angel after a beat: "I'm more afraid of her dying than she is. - What is that?"

    Skip and Cordy are back at the mall.

    Skip: "Cordelia - are you sure?"

    Cordy: "You gave me a choice, so I'm choosing."

    Skip: "Okay, kid. Here goes. I'm gonna make you a star."

    Cordy closes her eyes.

    Announcers voice: "And now, ladies and gentlemen, the two time Emmy award winning star of our show, the gal with the million dollar smile: Cordelia Chase!"

    The mall has changed into the set of a sit-com around Cordy. She is caught in a spotlight and opens her eyes to wild applause form the audience and crew. She is now wearing a tight, blue, sparkly dress and smiles brilliantly at her fans.

    Break

    We get to see the opening credits of her show, titled Cordy!

    (The opening credits include: Cordelia Chase, Gregory Dunne, Elliott Sims, and Carol Wright

    Created by Phlegmont and Mendoza)

    Cordelia: "2,3,4"

    Singers: "Yes, you can hear it in her laughter. - Ooh, you can see it in her smile. - Yeah, you'll be hanging from the rafters. - Ooh, you better stay awhile. - Ooh, better stay awhile. - - Yes, the whole world is full of laughter. - Ooh, you got my heart a little wired. - Yeah, you'll be hanging from the rafters. - Ooh, better stay awhile. - Ooh, you better stay awhile. - Ooh, better stay awhile..."

    (Note: The theme song was sung by Marti Noxon and David Greenwalt. Words and music by David Greenwalt.)

    Audience claps wildly.

    We see Cordy walk down a corridor from the stage, dressed in a dark outfit now, wearing her hair different.

    Man off screen: "Great show, Cordy!"

    Cordy: "Thanks, you too."

    Cordy's assistant falls in beside her, holding a PDA.

    Nev: "Okay. There are stars and there are stars, and then there is you!"

    Cordy: "God, that is sweet, Nev. Am I paying you enough?"

    Nev: "Well, as a matter of fact..."

    Cordy: "Good. What's cooking?"

    Nev: "Okay. You got a costume fitting. The Producers want to run some ideas past you for next weeks show."

    Cordy walks up to some fans lying in wait backstage, and begins to sign some of the autograph books held out to her.

    Cordy: "Hi, how are you? What's your name?"

    Nev: "We want to record that breast cancer PSA, but tomorrow is pretty booked. Maybe next week."

    Cordy still signing: "No, make it tomorrow. I wanna get it on the air. (Turns to Nev with a sigh) Nev, you ever get that nagging feeling that you're supposed to be somewhere, doing something, but you can't remember what?"

    Nev: "No. I'm highly organized. That's why you pay me - pretty well. But with the holidays coming I really..."

    Cordy hands the autograph and pen back to one of the fans.

    Cordy: "I have to go, I'm sorry. I have to go."

    Starts to walk on. Nev dogs her, pulling out his phone.

    Cordy: "I want something. Hypo-something. Hypothermia?"

    Nev to phone: "Josh, lets get a large tub of ice water to Miss Chase's dressing room, pronto."

    Cordy to herself: "No, that's not it."

    Nev: "Canceling ice water."

    Cordy: "Hyper... hyperbaric?"

    Nev: "Josh, make it an oxygen tent."

    Cordy to herself: "No, that's not it either."

    Nev: "Canceling tent."

    Cordy spins to face Nev: "Hyperion! That's it!"

    Nev: "The hotel."

    Cordy: "Yes. I wanna go there."

    Nev: "Terrific. When would you like me to... (Cordy is already walking on) Now? Now you would like to... (Cordy snaps her fingers in the air without looking back at Nev) Without security? Without an entourage of me? Right. I'll give them a call. (To phone) Josh, car, side door, now."

    Cordy enters the Hyperion. A string of lights are decorating the plants framing the entrance. Jazzy music is playing. People are scattered around the lobby. A bellboy pushes a baggage cart towards the elevators. Lights are decorating all the plants around the lobby.

    Cordy walks up to the concierge writing something in the book lying open on the reception counter.

    Cordy: "Hi. Excuse me."

    Concierge: "Ah, yes, how can we help... (Looks up) Oh, Miss Chase. How can you help me? Ah, how can I help with... (Gives a little laugh) How can we help you?"

    Cordy: "I believe my assistant made a reservation."

    Concierge checks the book: "Ah. The, ah, luxury suite. I will take you right up to my room. *Your* room, I meant. - Welcome to the Hyperion."

    Cordy is following the concierge down a corridor of the Hyperion.

    Concierge: "And here we are, Ms. Chase. (Pulls out a key and starts to unlock a door) The luxury suite."

    Cordy slowly walks past him looking around.

    Cordy: "No. (Points at a door) This one. (Closes her eyes for a moment) I want this one."

    Concierge: "That's ah - that's a *standard* Miss Chase. It's hardly fitting for someone of your..."

    Cordy: "Open it?"

    Concierge: "Yes, certainly."

    Cordy slowly enters the suite she picked and looks around it. The standard warm décor of the hotel room is intercut with flashes of the same suite, but the way it looked when Angel was using it, including Connor's crib.

    Cordy slowly walks over to the bed as the concierge watches her from just inside the door.

    Cordy: "This wallpaper..."

    Concierge: "Ah, yes. Designed by renowned artist Jacques Latour. Part of the remodeling we... (Cordy starts to rip some of it off the wall) Ha, ha... - Mmm, I hate that wallpaper. That's bad, bad wallpaper."

    Cordy has ripped enough paper off the wall to reveal the address she wrote on it while 'borrowing' Angel's body.

    Cordy: "One seven one Oak. (Turns to the Concierge) Where is that?"

    Concierge: "Ah..."

    Cordy rings the doorbell of house 171. A teenage girl answers the door.

    Cordy: "Oh, hi. I'm - I'm really sorry to bother you..."

    Cynthia: "Oh, my god. You're - Cordelia Chase. (Cordy smiles and nods) You're - Cordy!"

    Cordy: "Yeah, hi. Listen, I know you don't know me, but would you mind if I..."

    Cynthia: "Oh! Please, come in."

    Cordy: "Oh, thanks."

    Cordy walks in, and the girl closes the door behind her.

    Cynthia: "I'm Cynthia. Cynthia York. And - I love your show. Like, *love* love. You're just - you're my idol, Cordy. I wanna be just like you, and have my own design firm and... (Frowns) Wait a second. What are you doing in Reseda?"

    Cordy laughs: "Yeah, uhm, hmm. Good question. Uhm, this is - gonna sound a little bizarre, but, uhm, is everything okay here? Nothing - bad - happened, has it?"

    Cynthia half shrugs: "My dad left us a couple months ago."

    Cordy reaches out to touch the girls shoulder: "Oh. Honey, I'm sorry. Is your mom here?"

    Cynthia shakes her head: "She's up in Ojai visiting friends."

    Cordy: "Oh. - Well, ah... - That's, ah... Well, okay, then, ahem..."

    Cordy turns to the door to leave.

    Cynthia: "Hey! You wanna see something cool?"

    Cordy turns back: "Sure."

    Cynthia takes Cordy's hand and leads her over to a pentagram drawn on the floor on the other side of the couch.

    Cynthia: "It's a retrieval spell. I'm gonna make my dad come back and live with us again. - I'm pretty sure I did everything right. Even though I - spilled some diet coke on the book I was using and had to improvise a little. Pretty cool pentagram, huh?"

    Cordy: "Cynthia? I think we should get out of here before..."

    A blue light flashes and suddenly there is a big demon standing in the middle of the pentagram.

    Cordy: "...that happens."

    Break

    Cordy pushes Cynthia towards the door.

    Cordy: "Get our of here, Cynthia. Go!"

    Cordy picks up a table lamp and smashes it over the monster's head, then turns to run. The monster trips her, then grabs a hold of her ankle. Cordy grabs a hold of a book (?) lying on the coffee table and rams it in the monster face, making it fall back.

    The door behind her opens and Cordy turns to stare up as Gunn and Wes enter. Wes is carrying a drawn sword in his right hand. His left sleeve is pinned up, empty, against the side of his jacket.

    Wes to Gunn: "Get the girl."

    Gunn to Cynthia: "Lets go! Outside."

    Gunn pulls Cynthia towards the door as Wes runs the demon through with his sword.

    Cordy: "Wesley, what are you doing here and - what - happened to your other arm?"

    Wes pushes her aside: "Look out."

    The monster comes at Wes again and he fends it off with his sword. Gunn comes in and tries to beat the monster with his baseball bat. After a brief struggle they manage to down the monster, and Wes skewers it with his sword.

    Cordy: "So, you - like - kill things now? Cause last time I saw you, you just kind of fainted in front of them."

    Wes: "Cordelia, why on earth are you here?"

    Cordy: "I know, I know. Reseda. It's practically the ninth circle of hell."

    Wes: "Not Reseda. Here in this house. Is that girl a friend of yours?"

    Cordy: "Oh, look, I know we haven't seen each other in a while, Wesley, and... (Laughs a little) But there is something *weird* going on with me. Like (whispering) Sunnydale weird."

    Cynthia: "Oh, my god. (Looking at the dead monster) My mom is gonna freak."

    Gunn is sticking the appendage of the monster hanging over the gate of his truck under the tarp spread over the bed of it. Cordy and Wes are walking down the walkway from the house to the truck.

    Cordy: "...and underneath the wallpaper was an address. This address. So, for absolutely no sane person reason I can think of, I come out here and whammo! Slimy monster fun time. What's up with that?"

    Wes throws his sword in the back of the truck and turns to face her.

    Wes: "I'm not sure. I'd have to consult my books."

    Cordy smiles at him: "Some things never change."

    Gunn clears his throat behind them.

    Wes: "Oh, sorry. This is my partner, Charles Gunn."

    Gunn: "Man, Wes told me he knew you, but I-I didn't believe him."

    Cordy: "Yeah, we go way back. (Gives a laugh) Back to, uhm, when - you had two arms, which, by the way..."

    Wes: "Ah, Kungai demon a couple of years ago."

    Gunn: "Hey, is it true that you and Wes were... You know, that you had a little..."

    Cordy: "...humiliating kiss where he drooled all over my chin? (Gunn looks from Wes to Cordy) Yeah. But I worked *really* hard to repress it."

    Wes: "Right. Well, as much as I'm enjoying this forced death march down memory lane..."

    Wes goes over to the passenger side of the truck and opens the door.

    Gunn: "Hey, what is it with you Sunnydale folks and repression? I mean, you three are the most denying it folks I've ever met."

    Cordy: "Three? Who else is here in LA?"

    We get flashes of Gunn's truck driving down the road and different shots of the city at night.

    Wes walks into his apartment, followed by Cordy and Gunn.

    Wes: "Cordelia, I want you to think about this. Angel's not the person you knew. He came to Los Angeles in pain, vulnerable - and when Doyle, his only friend died he - he retreated into himself."

    Gunn: "Him getting the visions didn't help either."

    Cordy: "So, let me get this straight. Angel gets the visions of people who are gonna die, and he tells you, and you go out and slay, and - this is how you make your living? This - got to be the suckiest job in the world."

    Gunn: "It pays the bills - occasionally."

    Wes walks over to a door: "Don't be shocked by his condition. (Takes a key from a hook beside it) The visions have taken a toll - and the isolation. Sometimes he sends us out to save people he killed two hundred years ago. (Cordy looks from Wes to Gunn, then looks down) So, why don't we just tell him you stopped by and said hi?"

    Cordy: "Wesley. I've gotta see him."

    Wes opens to the door to a room empty except for some shackles dangling from the ceiling and a mattress lying cockeyed in the middle of the floor. Angel, bare footed, is sitting on the edge of the mattress, his arms wrapped tightly around his knees. As the door opens he gasps, then curls up even tighter.

    Cordy looks at the shackles.

    Wes: "Restraints. Sometimes the visions make him violent."

    Angel scrambles to his feet, arms wrapped tightly around himself and begins to ramble.

    Angel: "One seven one Oak drive, do you hear me? I feel better now. I can be alone here. I won't run away..."

    Cordy: "Oh my god."

    Wes: "This is one of his good days."

    Angel: "No, I - I won't. I won't do that. I won't do... I didn't mean... I didn't mean... Only if it's dead. It's me. (Drops back down on the corner of the mattress) It was my fault. It was me. I'm okay. I didn't mean... I didn't mean..."

    Cordy takes a step closer, but Wes takes hold of her arm.

    Wes: "Don't get too close."

    Angel covers his head:"Ah! I won't run away."

    Cordy walks towards him: "Angel. - Do you remember me? (Squats down beside him) Cordelia?"

    Angel looks up and scrambles away from her on all fours.

    Angel: "No. I'm afraid."

    Angel goes to cower in a corner of the room.

    Angel: "I'm afraid. I'm afraid."

    Cordy slowly walks over to him: "Shh. Don't be afraid. I won't hurt you."

    Angel: "I'm fine. Fine. One seven one. One seven one. You'll see. You'll see, one seven one. My head doesn't hurt. (Bangs his head back against the wall) My head doesn't hurt. Now I'm warm. My head doesn't hurt."

    Cordy: "You don't remember me, do you?"

    Angel: "I was there. I wanted to die. But - but I was - was afraid to die. So afraid to die. One seven one."

    Angel repeats the number over and over as he keeps writing it with his finger on the wall beside him.

    Cordy: "Shh, Angel, it's okay. Everything is gonna be okay."

    Angel: "It was my fault. I was there. I couldn't do anything. There was nothing I could do."

    Cordy: "Everything is gonna be okay."

    Cordy leans in and softly kisses Angel on the mouth. Wes and Gunn watch in slow motion. There is a whoosing sound and a blue light passes from Angel's lips to Cordy. Cordy sits back on her heels and turns to look at Wes and Gunn, then stands up.

    Cordy: "I remember everything. The visions (Walks over to where Skip is suddenly standing in the room) they're mine."

    Skip: "We made a deal. You gave up the visions, not to mention the certain death that goes with them, and you get to live out your dream. Call me crazy, but I thought that was a pretty fair trade."

    Cordy: "Sure it's fair. But it wasn't me."

    Skip: "We've been over this. I respect what you're trying to do. It's noble and heroic, and all that other Russle Crowe 'Gladiator' crap."

    Cordy: "You've seen..."

    Skip: "Didn't love it. The fact remains that humans are not strong enough to harbor the visions! Period. Even the Powers That Be can't change that."

    Cordy steps closer: "Then find a loop hole, Skip. I know my purpose in this world and it includes the visions. And if the Powers That Be aren't complete dumb-asses, they know it, too."

    Skip: "There maybe a - tiny - loophole."

    Cordy: "I'll take it."

    Skip: "You may wanna think about that. The only way *you* get to keep the visions is by becoming - part demon. (Cordy looks down) The process isn't easy. It'll make your vision pain feel like a stroll through candyland. And even after the pain subsides the effects of the transition will be numerous and unpredictable. You may never be able to lead a human life again."

    Cordy looks over at Angel (who appears to be frozen in time), then back at Skip.

    Cordy: "So - demonize me already."

    Skip after a beat: "It was an honor being your guide, Cordelia Chase."

    Cordy gives him slight smile.

    Skip raises his hand, a blue light illuminates the room and Cordy arcs back, screaming in pain.

    On the bed in Angel's room Cordy arcs back, screaming in pain. Angel rushes to her side as the rest of the gang come running.

    Fred: "What's happening to her?"

    Cordy sits up on the bed, gasping, and opens her eyes. Angel catches her in a hug.

    Angel: "I thought I'd lost you."

    Cordy: "Angel."

    Cordy gasps, pulls back and grabs a hold of her head.

    Cordy: "No horns."

    Checks her backside.

    Smiles up at Angel: "No tail."

    Angel looks at the others, but no one volunteers an opinion.

    Cordy: "Whew! Just checking."

    Cordy scrambles up out of bed and stretches, while Angel takes a suspicious look under the pillow before slowly trailing after her.

    Cordy: "It feels *so* good to be solid again."

    Angel joins the rest of the gang and they all pivot to keep watching Cordy.

    Wes: "Cordelia, what is the last thing you remember?"

    Cordy: "When? I've been so... Oh. You mean the vision downstairs. No, I had a vision, but it's been taken care off. There was this actress, and an one-armed guy. (Everyone watches her silently) It's a long story. But right now, we have to solve my vision."

    Lorne: "The one you just said was taken care of?"

    Cordy: "No. The one I'm having right now. There is a young man in a park in Glendale. Uh, somewhere near a pond. There is a demon waiting for him. He's red with four, no make that five horns."

    Angel looks at the others then back at Cordy.

    Angel: "Uh, Cordy?"

    The camera pulls back and we can see that Cordy is floating about a foot off the ground.

    Cordy: "What?"

     

3x10 - Dad

on . Posted in Btvs Guide - Angel Script

    Previously on Angel:

    Darla and Angelus kill Holtz family.

    Darla: "His family, his children..."

    Sahjhan: "It will be over two hundred years before you get another chance to confront either Angelus or Darla."

    Holtz: "I'm *tired* of waiting!"

    He tries to choke Sahjhan, but his hands go right through the demon.

    Sahjhan: "And I want your word that you will show them no mercy."

    Linwood: "Who's this pirate with a sword?"

    Lilah: "Whoever he is he is not in the system."

    Angel: "This is impossible."

    Darla: "Tell me about it - Daddy!"

    The gang looks at the ultrasound of the baby.

    Fred: "Wonder if that might not be that bad thing we were expecting."

    Linwood: "We need to get it, dissect it and find out what it means."

    Wes: "It's human."

    Angel: "I'm gonna have a son."

    Translator: "The prophet is telling us: There will be *no* birth."

    Darla screams and throws Gunn, Wes, Fred and Cordy away from the car.

    Lorne: "She wants to have it here?! Can't have a baby here!"

    The barrel rolls down the stairs and explodes in a ball of fire.

    Angel helps Darla out the back of Lorne's bedroom, hunkers down beside her in the rain.

    Darla: "This Child, it's the one good thing we ever did together. You make sure to tell him that."

    Darla stakes herself and explodes into a cloud of dust, leaving a crying baby boy behind.

    Holtz steps through the hole in the wall and aims his crossbow at Angel, who is holding his son.

    Sahjhan: "Now is your chance. Do it! Finish it, while you still can. You can't just let him walk away!"

    Holtz: "I swore that I would show no mercy. - And I won't."

    The gang walks into the lobby of the Hyperion as a thunderstorm rages outside.

    Cordy: "We need to make some little changes for safety. Covers for the outlets, kidproof the locks on the weapons cabinet. (Sees the blood spattered equipment that is all that remains of the fight between the Grapplar demons and Wolfram and Hart's swat team) Right after we gut and remodel the entire hotel."

    Fred: "We should be careful. Whatever was in those cages could still be loose."

    Gunn and Angel exchange a look. Fred sees that the cages are labeled: Baby and Mother.

    Fred: "Oh."

    Gunn: "There's blood over here."

    Wes: "Not to mention some bastard blown a gaping hole in the lift."

    Angel: "Sorry. My bastard."

    Wes: "Oh. Well - not like we ever use it."

    We hear someone walk up to the front door. Angel huddles protectively around the baby. Gunn hefts his ax and Wes aims a crossbow at the person coming in through the doors, hidden by a big umbrella.

    Lorne lowers the umbrella and recoils at all seeing the grim expressions at the weaponry aimed at him.

    Lorne: "Now is that anyway to welcome a houseguest?"

    Everyone lowers their weapons.

    Gunn: "Houseguest?"

    Lorne: "Well, I figured since you all managed to destroy my club - twice - that I wouldn't be imposing if I hit you up for a place to stay. (Sees the mess in the lobby) On second thought, maybe I should reconsider that standing offer I have from a marginally attractive Mulix demon."

    Wes: "Well, if he/she/it has more suitable accommodations..."

    Lorne walks towards Angel, holding out his hands.

    Lorne: "Ah, come on, hand over the little nipper. Let Uncle Lorne have a gander. (Angel curls tighter around the baby) Oh, come on, I'm sure everyone else's already had their turn!"

    Gunn and Fred peel the stickers off the cages.

    Lorne puts a hand on Angel's arm, but Angel shakes it off.

    Lorne: "Wow. I'm sensing a serious 'mama bear' vibe."

    Cordy: "Yeah, we're all still waiting our turn."

    Lorne: "I get it. Lookee don't touchee? - I see he's got himself a little scratch..."

    Lorne reaches towards the baby's left cheek, but Angel pushes his hand away.

    Cordy: "Yeah, during the rush to get out of the alley. (Comes over) Here, let me put a little ointment on it."

    Angel takes the ointment from Cordy.

    Angel: "I-I I got it. I got it."

    Angel goes to lay the baby down on the counter top.

    Angel: "Easy. Right there. Alright. (Undoes the blanket a little) Let your arms out. - Okay. Shh."

    Angel carefully dabs some ointment on the cut and the baby begins to cry.

    Angel: "What? What did I do?"

    Cordy: "You don't have a woman's touch - whatever your taste in clothing may indicate."

    Cordy walks off to sit down on the steps leading into the lobby from the door to the garden court. Angel reads what's written on the tube of ointment. Gunn picks up a cleaver-like instrument laying on top of one of the cage and looks at it.

    Gunn: "I don't even wanna know."

    Fred: "You think you could throw it?"

    Gunn: "I guess. Why?"

    Fred points past him: "There!"

    Gunn turns and sees a demon leaping over the railing out side the glass garden court doors. Cordy jumps up with a scream as the demon comes charging in.

    Gunn throwing the cleaver: "Bogie at the back door!"

    Angel, baby wrapped protectively in his arms, turns his back to the door, trying to shield the baby with his body.

    The demon, scimitar raised above it's head, falls backwards onto the steps, the cleaver buried in his chest and one of Wes crossbow bolts in its neck.

    Cordy: "This isn't over, is it?"

    Wes: "No. Angel's son is part of the prophecy. Everyone and everything will be coming for him."

    Gunn: "Which means we need a plan."

    Angel: "Ah-ha! (Everyone turns to look at him) I think I figured it out. (Pulls a diaper out of his coat pocket) He wet himself."

    Intro

    Hyperion, night.

    Wes walks into his office.

    Wes: "Angel, we could use your help when you're finished - changing the baby - who is being changed on my desk."

    Angel: "Sorry. I needed the space."

    Wes: "Of course. And seeing as you once nearly had sex on my desk I shouldn't be surprised that now there is a baby on it."

    Angel: "Hey! First of all that wasn't me, that was some guy who switched bodies with me. And second of all (Cups his hands around the baby's ears, and drops his voice to a whisper) can we keep the S E X talk away from the baby?"

    Wes steps closer and picks up the pack of diapers.

    Wes: "Do you need help?"

    Angel: "Ah, no, Wes. I know how to change a diaper - a normal one with pins. It's these newfangled fasteners."

    Wes: "Did you know these diapers are lined with a space-age material originally designed for NASA astronauts? Hmm, interesting. (Puts the pack of diapers down) Though now I'm picturing grown men in nappies and am rather disturbed."

    Angel: "Ah, okay, got it. (To baby) You're all ready aren't you?"

    Angel wraps the baby back in its blanket and drops the bundled up, used diaper into Wes hand. Wes looks down at it. Angel picks up the baby and looks at Wes.

    Angel: "Right. How's the list coming along?"

    They move out into the lobby where the others are waiting in front of a dry erase board. Wes drops the diaper on the counter top as he walks past.

    Wes: "We've divided it into two categories. Column one groups or individuals that we know pose a threat to the baby: Holtz, Wolfram & Hart, the vampire cult that attacked us at the hospital. Column two those you *could* pose a threat once they get wind of the baby."

    Angel: "Order of Phillius, Beltar the Cremator, - Frank?"

    (The list also has a 'Piper Beast' and 'The Scourge' as potential threats.)

    Gunn: "Local mobster, specializes in kidnapping."

    Angel: "Ah. (Baby begins to cry) What, what, what? What is it? You can't be wet again. I just changed you. Ah-hmm, are you hungry? I got a bottle all ready for you."

    Walks over to counter and looks around.

    Angel: "Where did I put his bottle? I had a bottle all ready for him!"

    Cordy hurries over, picks up the bottle and hands it to him.

    Angel: "Okay. (To baby) Here's your babba. (Baby cries) Take your babba. (Gunn grins.) You just take it like this (Angel lifts the bottle and makes sucking noises) and you drink, and you're happy."

    The baby continues to cry.

    Gunn comes over.

    Gunn: "Angel, why don't you let me take him for a little while. I helped raise my cousin since she was about a week old."

    Cordy throws up her hands and walks away.

    Angel: "I-i can handle it. (Walks away from Gunn) Alright, so we got a list. All we have to do is erase everyone on it."

    Fred picks up a dry eraser: "I can do that for you."

    Cordy: "Ah, Fred..."

    Fred: "What?"

    Fred stops erasing and turns to look at Cordy.

    Fred: "Oh, you meant erase in a squish and kill violent kind of way. I'll just put that back."

    Writes Holtz name back on the list.

    Angel, pacing and holding the bottle out to the crying baby: "Come on, it's a nice babba. You wanna stop crying and take your babba, yes you do - please?"

    Sahjhan follows Holtz into their underground lair.

    Sahjhan: "Well that was a thrilling evening. It's not like I've been waiting two hundred and fifty years for you to take your blood vengeance on Angel to have you just stand there and let him walk away."

    Holtz: "Why didn't you tell me Darla was pregnant?"

    Sahjahn: "Didn't matter. You were supposed to kill them both before she could have it."

    Holtz: "She sacrificed herself to save the child."

    Sahjhan: "Yeah. Darla did your job for you. Well, at least one of them is dust."

    Holtz: "She got off easy. Angel's demise will be a great deal more painful."

    Sahjhan: "You know you throw around a lot of big words like death and pain and no mercy, but so far I haven't seen bupkus."

    The Grapplar demons are following behind them stuffing themselves with fast food as they go.

    Sahjhan: "Listen to me, Holtz, we got prophecies to fulfill. We don't need some deep, dark plan for Angel. You put a stake in him, you watch him go poof! It's a classic."

    Holtz: "Step one is getting rid of these minions."

    Sahjhan: "No. Step one is poof. And then there are no more steps. And we can't get rid of the Grapplars. I signed a two-week contract. - Trust me, you don't wanna piss these guys off."

    Holtz: "They're soulless beasts bred only to maim and kill."

    One of the Grapplars is looking at the drink and food he is holding.

    Sahjhan: "Ah! Maim and kill. Two more words I like. You're gonna need these guys - unless you're plan is to kill Angel with candy clowns and marshmallow pies."

    All the Grapplars are making choking noises. Sahjhan looks at them.

    Sahjhan: "What's happening?"

    Holtz: "I need more than mere fighters."

    Sahjhan: "They're choking! Do you know the Heimlich? I can't do it in this dimension. My arms will go right through them. (The Grapplars start dropping one by one) What did you do?"

    Holtz: "I poisoned their drink."

    Sahjhan: "Why?!"

    Holtz: "Because I don't need mercenaries who will kill for anyone willing to pay their price. I need warriors who will die for my cause..."

    One remaining Grapplars charges Holtz from behind. Holtz kills him with a backwards thrust of his sword without ever taking his eyes off Sahjhan.

    Holtz: "...like that."

    Sahjhan: "Great. So step one is I'm stuck with four costly and dead demons. What's step two?"

    Holtz walk over to where a computer is sitting atop a table.

    Holtz: "We can find information using this box - correct?"

    Sahjhan: "Yeah. You won't believe how fast my connection is. What do you wanna find?"

    Sahjhan passes his hand in front of the computer screen and the entry page of the "Demons, Demons, Demons" database comes up.

    Holtz: "Obituraries."

    Cordy is at her laptop searching that same database.

    Gunn: "What about that ninja guy that attacked us at the hospital?"

    Wes: "The vampire cult killed him before he could get to the baby."

    Fred: "There could be more of them."

    Cordy: "The world is a sick and demented place. You know there are already three websites offering money for the baby?"

    Fred is adding 'Ninja guys' to the column of known threats.

    Angel, carrying the baby: "Fred, help them trace the websites."

    Fred: "Right."

    Angel is still trying to get the baby to take the bottle.

    Angel: "It's good. Try it. You'll like it. Mmmm, so good."

    The baby keeps crying. Fred takes Cordy's place in front of the laptop. Angel picks up a stuffed Teddy and pretends to feed it the bottle.

    Angel: "See? Ha. Teddy likes it. And I like it, too."

    Angel opens his mouth and shakes some of the milk from the bottle into it.

    Angel: "See? Mmmm."

    Smiles at the baby, then turns his head away, makes a face and spits.

    A blue flash lights up the hotel and everyone looks around.

    Fred: "What was that?"

    Lorne walks in: "Oh, just listening to those Furies gives me whiplash! Thank god they finally left. My head was about to pop off. Which, granted, not that big a deal."

    Wes: "That flash was their spell kicking in?"

    Lorne: "Yeah, they put a force field over the entire hotel. No one or thing can get in or out."

    Fred: "So, the baby's safe? We're all safe. Right, Lorne? I-I mean unless one of those killers decides to throw in a fire bomb in at us like they did at your club, which had a similar safety spell around it as I recall. - Sorry."

    Angel: "She's right. He won't be safe here for long."

    Lorne: "Well, we can get out if we have to. I installed an emergency exit down in the sewers. A-a mystical barrier, opens and closes with a password. (To Fred) Pylean word for hedgehog."

    Fred: "Oh. - Oh!"

    Starts to laugh.

    Gunn: "I'm guessing it means something very different in English?"

    Cordy: "Well, we'll have to use it. The baby needs to see a doctor."

    Angel: "What? He's not sick! Does he look sick?"

    Cordy read in baby book: "No. But he needs his newborn checkup. The baby book says that he's supposed to have a vitamin K shot and a PKU test after he's born. Uh - are you gonna circumcise?"

    The baby starts screaming louder.

    Gunn: "I think he heard you."

    Lorne: "Speaking of hearing things - are there any fluorescent lights in here? I keep hearing this hum. Plus, fluorescent - green light, green skin - it's all bad. - I'll take the blank stares as a big fat no."

    Angel is looking at the weapons cabinet.

    Angel: "Gunn?"

    Gunn: "Yeah."

    Angel: "I'm in a war here. I'm gonna need some serious firepower."

    Gunn: "You mean something beyond swords and spears?"

    Angel: "Way beyond."

    Gunn: "I know some guys. Leave it to me."

    Angel: "Thanks. (To Fred) We get into the websites?"

    Fred: "Not yet. Normally all we would have to do is hack into the e-mail and track the relays but - they're using re-mailers."

    Angel looks at them: "Which means?"

    Cordy: "Which means there is no direct id, it's going to take a little time..."

    Angel: "We don't have a little time. Are those all the names up there on the board?"

    Wes: "Working on some other leads. We all want the same thing, Angel. We're doing the best we can."

    Angel, looking down at the baby: "Do better."

    Wes: "Angel!"

    Angel: "I promised his mother. No one is gonna put their hands on this child. No one."

    Angel turns to walk up the stairs.

    Linwood watches Angel carry the child upstairs on the monitor.

    Linwood: "No one is going to put their hands on this child. Is this meant to be ironic? According to our highly - and I'm now thinking, somewhat overpaid translators, the Nyazian Scroll said the child would never be born. And yet - here he is."

    Gavin: "It was a technicality, sir. Darla died during childbirth."

    Lilah: "Dusted during childbirth is more like it. According to our sources she staked herself, leaving the baby alive and kicking but never actually born. MacDuff was from his mother's womb untimely ripped."

    Linwood: "Clever loophole. We could use some of those Nyazian Scroll writers in Contracts and Negotiations."

    Gavin: "We have to get that baby."

    Lilah: "He has a knack for stating the obvious, sir."

    Gavin: "I also have an intercept team working on tactical scenarios as we speak. I'm sure Lilah would have thought of that - given time."

    Linwood: "Moving on - children. (Picks up a photo of Holtz) I want everything there is on this character. He slaughtered some of our best-trained men. He's gonna be a problem."

    Lilah: "We're locating him, sir."

    Linwood: "Preferably before he locates us. (Walks towards the screen as we can hear the baby gurgle) That's a cute little baby. Yes, you are. And your daddy is a vampire with a soul. And sometimes he reverts to a creature of pure, malevolent evil, who could rip your tiny throat out. Yes, he does. (Chuckles) I like kids. The Senior Partners took mine before I really got to know them. Turn it up. (Lilah pushes a button on the remote and the room fills with a baby's cries) Turn it down."

    Lilah does as Linwood walks out.

    Angel is trying to distract the baby from crying with the teddy bear.

    Angel: "Teddy isn't crying. Do you see Teddy cry? Teddy isn't crying. Do you see Teddy crying? No, Teddy isn't crying. (The baby cries and Angel leans his head into the Teddy with a sigh) Come on, kid, you gotta give me something here. Alright. Last ditch effort. (Angel takes a deep breath, clears his throat and begins to sing) Toora-loora-loora, toora-loora-lay..."

    Lorne walks into the room behind Angel.

    Angel: "Toora-loora-loora, that's an Irish lullaby..."

    Angel breaks off, leaning his head against the side of the cradle in defeat as the crying never even slows.

    Lorne: "Here let me give it a try. (Sings) Ooh, ooh, baby, baby. Ooh, ooh, baby, baby. Mistakes I know I made a few, but I'm only human. You'll make mistakes, too. And I'm crying... (Stops singing) He doesn't like Smokey Robinson and the Miracles? I thought you said this kid had a soul."

    Angel leans down over the cradle: "You know what, you're fed, you're changed. I hold you, you cry. I put you down, you cry. What do you want me to do here? (The baby cries.) I'm a terrible father. (Picks up the baby) I can't even get him to stop crying."

    Lorne: "Yeah, well, it's getting a little tense - your vibe, that is."

    Angel: "My vibe? What vibe?"

    Lorne: "Oh, just the incredibly anxious one that's been coming of you in waves ever since he was born. He's deeply connected to you. If you're wound this tight, how do you think he's gonna feel?"

    Angel: "Hey, he's not even a day old and he's got an enemies list. How would you feel? Wouldn't you be a little edgy?"

    Lorne: "Yeah. I'd also be in awe. Look at him."

    Angel looks down at the screaming baby in his arms.

    Lorne: "He's more than a mission, bro. *Look* at him. Look at him."

    Lorne turns and walks out of the room as Angel keeps looking at the baby, a slight smile tugging at the corner of his mouth. Angel sits down in a chair.

    Angel: "It's all right. It's gonna be alright. It's gonna be all right."

    The baby continues to scream.

    Angel: "Hey. Shh."

    Angel makes a face and silly noises.

    Angel: "Do you like that?"

    The baby continues to scream.

    Angel: "Well, obviously. Okay. How about this one?"

    Angel pulls on his ears, makes another face and silly noises. The baby continues to scream.

    Angel: "Okay. I only got one more in me."

    Angel sighs and morphs into vamp-face. The baby looks up at him, stops crying and after a moment its eyes start drooping. A big smile spreads over Angel's face.

    Angel: "Yeah, that's my little guy! You like that, don't you? A bootchee-wootchee..."

    Wolfram and Hart, night, Lilah walks into a room in the basement filled with file cabinets and presents herself to the woman sitting behind a desk.

    Lilah: "Lilah Morgan, clearance oh -one-one-two-seven-seven-three."

    The woman enters it in her laptop then sits back and looks up at Lilah.

    Woman: "There you are. What can I do for you, Miss Morgan?"

    Lilah: "I want everything the firm has on Angel, the whole case file. His life history, un-life history, intercept records, victim lists, transfers and accounts, everything. I'm looking for someone he crossed paths with probably a hundred years ago or more. And make it fast. The boys upstairs are at defcon like - a thousand."

    Woman smiles: "Sure thing, Miss Morgan. Just a sec."

    She turns around and pulls a thick ring binder from the shelf behind her and drops it on the table.

    Lilah: "Everything is in there."

    Woman: "Right down to the baby that wasn't supposed to be born."

    Lilah: "How do you know about that?"

    Woman: "I'm Files and Records. It's my job."

    Lilah: "Great. (Hefts the file and turns to go) I'll be back when I'm..."

    Woman: "Ah, Miss Morgan, there aren't any documents in there, you know. That's just the reference key to the full file."

    Lilah: "The reference key. So - where is the full file?"

    The woman flips a switch and a whole section of file cabinets is illuminated.

    Woman: "The key is only helpful in locating which section of the file you'd like to look at."

    Lilah sighs: "That *whole* thing is Angel's file."

    Woman: "Just the first thirty five cabinets."

    Lilah: "Right. (Drops the book back on the desk) Does China Palace deliver down here?"

    Holtz is waiting behind a chain-link fence. He pulls out a paper with an obituary for a young girl named Julia Cooper.

    A door in the building on the other side of the fence with a sign "No Parking. Bar deliveries only" opens. A girl looking exactly like the picture on the obituary walks out, squinting at the bright sunlight. She lights a cigarette and walks off. Holtz follows after her. He turns a corner to see a barely smoked cigarette lying on the ground. He raises his hand to catch the girl's fist as she swings at him.

    Holtz: "Your punch could have been quicker - without so much to drink."

    Justine: "It's kind of a trade-off, because without that much to drink (head-butts Holtz) hurts a lot more."

    Holtz tosses her against a nearby, parked car.

    Holtz: "You stick to the shadows."

    Justine: "I'm not much of a day person."

    The girl takes a hold of a wood 2x4 lying on the ground next to her as she picks herself back up.

    Holtz: "I'm not here to fight."

    Justine: "Your bad luck."

    She swings at Holtz, but he easily evades her attack, and pushes her up against the wall of the building, his hand around her throat.

    Holtz: "I know you're in pain. I know what it's like to grieve."

    Holtz lets go of her. She lifts up a finger and taps him on the chin.

    Justine: "Nice goatee. Kind of rounds out the whole creepy stalker look. I'll be moving on now."

    She turns to go.

    Holtz: "Justine. (She turns back to face him) I'm not finished."

    Justine: "You know my name?"

    Holtz: "I know everything. You know at seventeen twenty two Spaulding. You stay out all night. Sleep all day. Ever since your sister was murdered six months ago. (Unfolds the printout of the obituary and hands it to her.) Your twin. - It wasn't a mugging like the paper said, was it? Major blood loss, two unidentifiable neck wounds."

    Justine: "So?"

    Holtz: "My name is Holtz. I want to help you."

    Justine: "I'll tell you what I want. (Gets right into Holtz face) I want you to stay the hell away from me."

    Holtz watches as Justine walks off.

    Hyperion, day, Fred is hunched over the laptop as Cordy brings over two cups and sets one down beside her.

    Fred: "Thanks."

    Fred looks up and sees Angel coming down the stairs carrying his son.

    Fred: "Oh-oh, we still haven't traced the websites."

    Cordy pats her on the back: "Relax."

    Cordy walks over to meet Angel.

    Cordy: "Get any sleep?"

    Angel, never taking his eyes off the baby: "Nah, I was up all night watching him."

    Cordy: "You know, if you'd let us take shifts we could..."

    Angel: "No, I wasn't watching him like that - I was just - watching him. (Cordy smiles) He - looks a little bit like me, don't you think?"

    Cordy: "Oh, yeah. Look at that brow. He's a miniature you. Why don't you hand him over for a while, catch some shut eye."

    Angel: "No. I'll sleep - when I know he's safe."

    Cordy: "Which will be when? Around never? - Angel, I understand you wanna protect him - but you gotta let go a little. Share part of the responsibility. You can't be everything for him."

    Angel: "I'm his only family. My job now is to be everything for him."

    Cordy: "Really? - Okay. Follow me. Come on."

    Cordy takes a hold of Angel's elbow and leads him towards the garden court.

    Angel, never taking his eyes off the baby in his arm: "Where are we going?"

    Cordy: "Come on."

    Cordy leads him out of the Hyperion. Angel stops before they leave the shadows of the building.

    Angel: "Cordelia..."

    Cordy: "We're going outside, where your son is gonna wanna go play. Where you have to rush him to the hospital if he gets sick in the daytime. But I see your point. You can't go outside during the day like other parents because - you're a vampire. And even if you weren't - you can't do everything for him."

    Angel, looking down at the baby, stretches one hand out into the sunlight.

    Angel: "If he has to get to the hospital at noon (Smoke starts to rise from his hand) on the sunniest day of the year, he'll get there (Looks at Cordy, his hand still smoldering in the sunlight) even if I don't."

    Cordy: "Angel, (Pushes his hand down into the shadow) stop, Angel..."

    Angel turns away and walks back into the Hyperion.

    Lorne comes down the steps.

    Lorne: "Good morning all. (Sniffs) Is that bacon I smell or did somebody fall asleep with the curtains open? (Drapes one arm over Angel's shoulder as he looks down at the baby) You got to figure a guy like you, a place like this, the only truly safe room would be the janitor's closet."

    Angel looks down at his shirt pocket then walks away from Lorne.

    Angel: "Thanks for the tip."

    Fred: "Were you able to sleep, Lorne, or did you still hear that humming?"

    Lorne: "Oh, I got some earplugs. Put them in and slept like a baby. Cried and wet the bed all night. (He is the only one laughing) Tough room."

    Gunn walks in.

    Gunn: "Mission accomplished. (Drops a duffel on a chair and unzips it) You said you wanted fire power, so..."

    Angel looks into the open bag: "Good work."

    Gunn: "Also we got company out front."

    Angel: "Did they see you?"

    Gunn: "Nah. I saw them, kept on going, doubled back and came in through the sewer."

    Angel: "Who are they?"

    Gunn: "Well, two blacked out cars of what I'm betting is more vampire cult. And a biker gang I recognize from back in the day."

    Angel: "Humans?"

    Gunn: "Yeah. Into extortion and kidnapping. There are also some funky fellows in a van I didn't recognize, wearing hooded cloaks."

    Wes joining them: "Lilliad demons. Their fun is making a magical broth from the bones of human children (To Cordy who is about to add them to the white board) That's two 'L's' in the middle. They probably want to find out how the child born of a vampire effects the recipe. They use strong magic. They may be able to break the furies spell."

    Angel: "What are they waiting for?"

    Wes: "Night. Their power is linked directly to the lunar cycle."

    Cordy: "So, we're safe for now, but when the moon rises..."

    Fred: "And tonight's a full moon."

    Gunn: "No matter what kind of weapons we have, we're not gonna be able to fight off the whole world, once that force field comes down."

    Wes: "I don't see that we have a choice."

    Lilah is sitting crosslegged on the floor of the File room, surrounded by papers and files.

    Lilah: "This is impossible. Two hundred seventy five years of the most inane... (Picks up a paper and looks at it) What kind of wussy name is Liam anyway? - Okay. You're at the hotel. The pirate is about to kill Angel. Angel calls him - what? What was it? - Hose. - Hope."

    Woman: "Holtz?"

    Lilah: "What?'

    Woman: "Holtz, Daniel, vampire killer, circa seventeen fifty four. He hunted Angel and Darla halfway around the world until his mysterious disappearance in seventeen seventy three. Larson McMillian Vampiricus Conquestus page four twelve."

    Lilah: "How did you..."

    Woman: "I'm files and records. It's my job."

    Lilah gets up: "You mean I've been sitting here for the last fourteen hours..."

    Woman: "Ah-hmm."

    Lilah: "To find that you know everything that's in this case file."

    Woman: "No, Miss Morgan."

    Lilah: "Oh."

    Woman: "I know everything in every case file. I'm Files and Records, it's my..."

    Lilah: "...your job. Unbelievable. (Sits down on the edge of the woman's desk) So what's the skinny on Holtz then? Why the big hate-on for Angel?"

    Woman: "Just a moment."

    She sits back and her eyes flicker while we hear a rattling sound.

    Woman: "Seventeen sixty-four. Angel and Darla kill Holtz, Caroline, Holtz, Sarah, and Holtz, Daniel infant son."

    Lilah: "Massacred his family. That'll do it."

    Woman: "Holtz vows to revenge their blood, May seventeen sixty-four. Pursues Angel and Darla relentlessly for nine years, racking up an incidental body count of three hundred seventy-eight vampires in the meantime."

    Lilah: "So what we're dealing with is a single minded vengeance machine with a bloodlust to match. That's just - awesome."

    Night in a cemetery, Justine is fighting against a vampire as Holtz watches from the shadows beneath a tree. The vampire kicks Justine in Holtz direction and he catches her before she falls.

    Justine: "What the hell are you doing here?"

    Holtz: "Watching you fight."

    Holtz pushes her away and Justine resumes her fight. She raises a stake, but the vampire knocks it out of her hand and her to the ground. The vampire is about to sink its teeth into her neck when it disappears in a cloud of dust revealing Holtz, holding a stake.

    Holtz holds out his hand and helps Justine back to her feet.

    Justine: "Why did you wait so long?"

    Holtz: "I wanted to see if you could win."

    Justine: "Always. I would have kicked his ass if you hadn't distracted me."

    Holtz: "Hmm. I wasn't your problem."

    Justine: "Really?"

    Holtz: "You fight well and lack strategy. Your passion works against you."

    Justine: "And you're here to teach me about passion."

    Holtz: "I'm here to teach you how to fight."

    Justine: "What's in it for you?"

    Holtz: "You help me kill a vampire."

    Justine: "You don't need me for that."

    Holtz: "I do. This vampire is strong."

    Justine: "What are we talking about. Some kind of Karate Kid Mr. Miyagi groove thing? Wax on, wax off."

    Holtz: "You'll find your references to modern popular culture tend to be lost on me."

    Justine: "What a shocker."

    Holtz: "But I know you're interested in more that the trivial. Your life has been ruined. You can't sleep. Instead you wander the streets, making others pay for what happened to your sister. That's where I can help. I see your talent. And I see your hate. And I know that I can shape and hone you into an instrument of vengeance."

    Justine: "Sounds like fun."

    Holtz: "It won't be."

    He turns and walks off. After a beat Justine follows, looking back once over her shoulder.

    Figures in purple hooded cloaks are chanting in front of the Hyperion. Gunn turns away from the first story window and walks over to the stairs leading down into the lobby.

    Gunn: "Guys, the Lilliad demons are starting their mojo on the force field."

    Gunn resumes his post at the window as Wes and Fred pick up crossbows.

    Gunn sees a car pull up and men jump out.

    Gunn: "Ah, right, sun's down, vamps can come out, too. - Wait, they're headed towards the bikers."

    Fred: "What are they doing?"

    Gunn, walking down the stairs: "They, ah, having a brawl over who gets to kill us first."

    Wes: "We have to hold our ground."

    Cordy: "What if we can't?"

    Wes: "If we're forced to fall back we'll do so towards the cellar. We can make a retreat through the sewer."

    Wes picks up a flame-thrower. Angel is standing on the stairs, holding the baby in his arms.

    Angel: "This isn't going to work."

    Wes: "I checked it. It's primed and ready."

    Angel: "Not the weapon, the plan."

    Lorne: "I'm so glad somebody finally said that, because sitting here waiting to die never was much of a plan. Sorry. So, what kind of genius idea you got hidden up that well tailored sleeve of yours, huh?"

    Angel: "Plan is I go. Take the baby somewhere safe."

    Cordy: "What?"

    Angel: "He was born in a siege, he's not gonna die in one."

    Wes: "But if you stay and help us fight... You said it yourself: we're in a war."

    Angel is putting stuff into a bag.

    Angel: "And now I'm in a retreat."

    Wes: "What happened to taking them out?"

    Angel: "There's too many of them. I can get out through the sewers. With any luck I'll get a couple miles before anyone notices that I'm gone."

    Cordy: "So you're just gonna leave? Run away?"

    Gunn: "Why not? That's what he's good at. Sure you don't wanna fire us first? A little icing on the cake while you leave us here to do the fighting?"

    Lorne: "I thought we already established this as a bad, bad idea."

    Angel: "No, you're gonna be all right. Once they break the spell and storm the place they'll realize that the baby's gone and they'll go after me. Wesley, stall them if you can."

    Cordy steps into his path as Angel shoulders the bag and heads for the basement doors.

    Cordy: "I'm sure tripping over our dead bodies will slow them down. You really didn't hear anything I said to you earlier, did you?"

    Angel looks down at the baby in his arm then walks past Cordy.

    Angel: "I heard you."

    Fred: "Angel! Don't leave us."

    Angel hurries on without even looking back.

    Break

    Gavin and Linwood are watching Angel head down into the cellar.

    Gavin: "He's running away."

    Linwood: "He's sneaking away. And giving us the chance to get the jump on everyone."

    Gavin into radio: "Alpha team he's heading into the sewers."

    Radio: "Copy that."

    Linwood: "Today the world is different. A vampire has sacrificed herself for her baby. Do you know what that means?"

    Lilah: "That there's something good about the kid?"

    Linwood: "This child can grow up, and hunt each and everyone of us down. Let's not let that happen, shall we?"

    Gavin: "No, sir. We'll find the baby by sunrise, dead or alive."

    Lilah: "Are you crazy?"

    Gavin: "What? Is Lilah worried we're gonna hurt the itty biddy baby?"

    Lilah: "No. I'm afraid you'll kill him before we have a chance to cut him open while he's still breathing and find out how the hell he's alive in the first place."

    Linwood turns to looks at Lilah. Gives her a slight smile.

    Angel is walking through the sewers with the baby.

    Two hum-vees pull up along the curb of a street.

    Lilah on radio: "Alpha team, where are you? Over."

    Guy: "We're here."

    The chanting demons bring down the fore field and run for the hotel.

    Wes and Gunn stand up and face the doors. Gunn is jumping in place to loosen his muscles. Looks over at Wes.

    Gunn: "What are you doing?"

    Wes: "Trying to imagine myself as John Wayne in Rio Bravo. You?"

    Gunn: "Austin Stoker, Assault on Precinct Thirteen."

    They slap their hands together, Cordy walks past them holding her weapon at the ready.

    Cordy: "If we live through this, trade in your DVD Players and get a life."

    Before the Lilliad demons reach the door they are intercepted by the biker gang and the vampires and general fighting breaks out.

    Angel climbs up a ladder in the sewers. He pushes the round metal lid covering the manhole aside and comes up in the street beside his parked car. He glances around the street and gets into the car.

    A man in one of the Hum-vees watches him through night-vision binoculars.

    Guy on radio: "Got him."

    Angel's car pulls out into the road.

    Man, lowering the binoculars: "Have a visual. Let's go."

    The Hum-vees follow Angel's car.

    Two demons and men break free from the fight at the front doors of the Hyperion and walk inside. The Demons take down their hoods.

    Lilliad: "Where is the child?"

    Wes: "Upstairs, room three-one-two, why don't you go and get him? Oh, wait. I have a better idea."

    Wes aims the flame-thrower and fires. We hear screams as flames wipe the screen.

    Outside the fight continues. A vampire looks up from the fighting as Angel's car drives by. He knocks down another opponent, then sees the Hum-vees in pursuit. The vampire hurries inside the hotel.

    Vampire: "Master, it's a trick! He's taken the child."

    The vampire looks down at the charred and still smoking remains of a Lilliad demon. Looks at Wes who gives him a shrug before torching him with a burst of flame.

    Outside the remaining fighters hurry to their vehicles to pursue Angel.

    Cordy lowers her weapon: "Now they're all after him."

    Wes: "Hopefully we stalled them long enough."

    Gunn sits down: "Whatever. Running away was his call."

    Angel's car fishtails around a corner, the Hum-vees, the bikers, the cars of the vampire cult and the van of the Lilliad demons in hot pursuit. A Hum-vee pulls out of another street to cut him off and Angel wrenches the car aside to turn into another street.

    Angel is driving through a tunnel, down a highway and past a sign reading Lancaster 16 and Mojave Dessert 42.

    Angel checks on his pursuers in the side mirror. Looks down at the baby he is holding with his left arm.

    Angel: "We'll get through this, I promise. The vampire/demon/biker posse, that's the easy part. (the Hum-vee following rams his car from behind) The part that scares me - is all the questions. Why is the sky blue. Why do people get sick. Why is there always pigs' blood in the fridge. I don't have all the answers. Well, I do to that last one."

    The Hum-vee rams him again. They drive by a 'Danger Abandoned Mine No Trespassing' sign.

    Angel: "Here we go."

    He suddenly turns the car and drives through a latched wooden gate.

    Man in Hum-vee: "He's breaking left."

    Angel drives past an abandoned shack and through the boards closing off the entrance of the mine.

    Outside the other vehicles pull up in front of the mine entrance.

    Angel descends into the main mine shaft.

    Outside the three parties resume their fight against each other even as they all make their way towards the entrance of the mine.

    Angel comes up against a tunnel entrance nailed shut with boards. As the first pursuers descend into the pit of the main shaft, he runs over to another tunnel mouth and finds it blocked by and iron grate. He turns to face his pursuers. Looks down at the baby in his arms.

    Angel: "Could be worse. At least you're not crying."

    Break

    Angel looks around and grabs a hold of a rope trailing down from the ceiling.

    Lilliad: "Give us the baby!"

    Angel: "You want the baby? - You can have the baby."

    Angel tosses the wrapped baby in a high arc into the middle of his enemies. They all scramble for it, while Angel quickly rides the rope up to the top of the shaft. One of the vampires has a hold of the baby and unwraps the blanket to get a look at it.

    Angel's car backs out of the mine shaft, makes a screeching U-turn and speeds away.

    The vampire stares down at Teddy, a bomb with the timer almost to zero strapped to it's chest.

    Man: "What is it?"

    Vampire: "It's a..."

    A fireball rolls out of the mineshaft, its fire casting a red glow over the taillights of Angel's escaping car.

    A Hospital waiting area. Wes and Fred get up from a couch as a doctor enters. Cordy, standing beside the couch turns around and we see that she is holding the baby.

    Nurse: "Ah, sorry for the wait. Let's go."

    The three of them follow the doctor through a set of doors.

    At Wolfram and Hart, Linwood is re-watching the encounter between Lorne and Angel that morning.

    Lorne: "Ah, good morning all. Is that bacon I smell or did somebody fall asleep with the curtains open? You got to figure, a guy like you, a place like this the only truly safe..."

    Linwood: "Back it up."

    The video backs up then begins to play again.

    Lorne: "...fall asleep with the curtains open. You got to figure, a guy like you..."

    Linwood: "Stop it right there! (Tape stops) Magnify one hundred times. (Picture zooms in) Again."

    The whole screen is now filled with Lorne's hand slipping a half-concealed piece of paper into the breast pocket of Angel's shirt.

    Linwood: "There. That is when he gives Angel the note."

    Lorne: "The only truly safe room would be the janitor's closet."

    Angel: "Thanks for the tip."

    Linwood: "And tells him where to read it. The janitor's closet, where we don't have surveillance."

    Lilah to Gavin: "That green houseguest could hear the hum of your transmit frequency. What are the odds?"

    Linwood: "All that Sturm and Drang about Angel running out on them? Just a performance."

    Lilah: "He did a good job. Who knew Angel had the acting chops?"

    Gavin: "Are you kidding? It was one note. Felt forced."

    Lilah: "Funny. You bought it at the time."

    Linwood: "It worked - for us. Angel's little trick thinned the herd. And what about Holtz?"

    Gavin: "No reports yet that he was among Angel's pursuers."

    Linwood: "I was hoping he'd be among the casualties. What do we know about him?"

    Lilah opens a folder: "He is a vampire hunter. Angel killed his family and he spent the rest of his life seeking revenge. Oh, and one more thing, this all happened two hundred years ago."

    Linwood: "I thought Holtz was human."

    Lilah: "He is."

    Linwood: "I time traveler."

    Gavin: "His arrival was foretold in the Nyazian Scrolls. He is a player."

    Linwood: "Yeah. He's a cog in the machine, and aren't we all. - What do you suppose it is that he wants?"

    Lilah: "You mean other than to tear out Angel's heart and wearing it as a broach?"

    Linwood: "We need more information. How he got he, who he works with, where he lives. It's only a matter of time before our needs and his come into conflict. (An alarm sounds) Maybe sooner than we think."

    Angel walks into the office, walks up to Linwood, slices him across the cheek, and pushes him facedown against the table.

    Angel: "My son has a tiny scratch on his cheek, and now, by extraordinary coincidence so do you. I'm holding you personally responsible for *anything* that happens to him whether it's your fault or not. Cold, sunburn, scratched knee, what ever happens to him, happens to you, and then some."

    Angel pulls Linwood back up, pushes him back into his chair and leans over him.

    Angel: "For not only are you not coming after him, you gonna make sure that he lives a long, healthy life. You just became his godfather, understand?"

    Linwood: "I believe I do."

    Guards come in in response to the alarm.

    Guard: "Sir?"

    Linwood: "It's all right."

    Angel starts to leave but turns back around before he reaches the door.

    Angel: "Oh, and one more thing: College fund? Start saving. I got my heart set on Notre Dame."

    Angel leaves and Linwood pulls himself back upright in his chair. Lilah pulls the handkerchief out of Gavin breast pocket and goes to dab at the scratch on Linwood's cheek. Linwood grabs the cloth from her and throws it down.

    The doctor and a nurse carrying the baby come back out into the waiting room.

    Doctor: "I'm happy to report you have a healthy baby boy."

    Cordy: "Oh, great. But I'm not the mother."

    Doctor: "Oh, I'm sorry. (turns to Fred) I'm happy to report you have a healthy baby boy."

    Fred: "Oh. Me neither."

    Wes: "I'm afraid the mother is, ah, no longer in the picture."

    Doctor: "I see. Well, his height and weight are in the ninety percentile. We gave him his vitamin K and his PKU and he's doing very well. We don't seem to have his - what's his name?"

    Cordy and Wes look at each other.

    Angel walking in: "Connor. His name is Connor."

    Doctor: "Connor. Thank you. Mr. (looks at the papers) Angel. (the nurse hands the baby to Angel) And congratulations."

    Angel: "Thanks."

    The Doctor and the nurse leave, as Angel smiles down at Connor.

    Angel: "Hey... (Looks up) Mr. Angel?"

    Fred: "Your first name is Geraldo."

    Cordy: "We had to tell them something."

    Fred: "Geraldo Angel. You’re a pet psychiatrist with a small practice in Pacoima. Oh, and you fight crime- We just told them the name part. The rest is me, having fun."

    Angel: "I don't know what to say."

    Cordy: "How about thanks. I appreciate it. You guys rock. Way to go?"

    Angel looks up from Connor's face: "What she said."

    The double doors behind them open and Gunn comes in pushing an empty stroller.

    Gunn: "Got the best one a very small amount of money could buy."

    They all 'ah.' Angel hands Connor over to Cordy who puts him in the stroller.

    Cordy: "Hey, you wanna go for a ride? Oh, goodness..."

    Wes: "Connor. That's a lovely name. I don't suppose you ever considered Wes..."

    Angel, Gunn and Cordy: "No."

    Fred: "Not to be negative or anything, but - we're okay, right? Nobody else is coming after Connor or us?"

    Angel: "No. We're safe for the time being. - Let's go home. Nice stroller."

    Gunn: "Thank you."

    They walk out together, Fred and Gunn on the left, Cordy and Wes on the right, and Angel, pushing the stroller in the middle.

    Camera pans down to Connor and the screen fades to black.

3x09 - Lullaby

on . Posted in Btvs Guide - Angel Script

Previously on Angel:

Darla sees Liam for the first time - brawling at the pub.

Darla: "Who is he? - He's magnificent."

Darla turns Liam in the alley.

Darla: "I could show you, things you've never seen."

Shots the China flashback.

Darla: "We were together for a hundred and fifty years. - We shared everything."

Angelus and Darla trapped in the barn in France.

Angelus: "Who's this man Holtz?"

Darla: "A vampire hunter."

Angelus: "How does he keep finding us?"

Angelus bites Holtz wife.

Angelus: "We have message for your husband."

Angelus at Holtz mercy in Rome.

Holtz: "You remember Caroline?"

Angelus: "Pretty lass, hearty screamer?"

Sahjhan visits Holtz in England.

Sahjhan: "It'll be over two hundred years before you can find either Angelus or Darla. I want your word you will show them no mercy."

Angel sees human Darla in a crowed LA park for the first time.

Angel: "That's her. Darla. She's back."

Angel and Darla making out.

Darla: "God doesn't want you! But I still do."

Angel waking up after.

Darla: "You still have a soul!"

Angel stops Darla from staking him.

Angel: "Get dressed and get out."

Darla stand up from the barstool, hugely pregnant.

Angel: "This is impossible."

Darla: "Tell me about it - Daddy!"

Wes: "You're carrying a boy."

Darla: "Great."

Lilah to Linwood: "No one seems to know *how* Darla could be pregnant."

Wes: "The Nyazian Prophecies speak of a Tro-clon, that brings about the ruination of mankind."

Lilah: "The scroll it's recorded on, seems to be missing."

Darla having contractions in the backseat of the car.

Wes: "Her water's broken. This is for real."

W&H's commando enter the Hyperion.

Linwood: "We got to get this baby before anybody finds out."

Holtz walk into the Hyperion. Linwood sees him on the monitor.

Linwood: "I don't care who that man is. Take him out. Take him out now."

Angel walks into the carnage left in the lobby after the fight.

Holtz: "Angelus? - I've been looking for you."

Angel: "Holtz. - My god."

Holtz: "You have no god, demon."

Angel: "The Tro-clon - the prophecy - raised up from darkness to bring darkness. That's you. Holtz, whatever brought you here..."

Some of Holtz' gGapplar demons stand up and catch Angel's wrists and neck in some metal clamps on the ends of long sticks, holding him fast.

Holtz: "You did. - You and your demon bitch. - For two hundred years I slept. For two hundred years - I dreamt of nothing - (Lays a sword against Angel's throat) but this moment."

Angel: "Which would explain why you look so well rested."

Holtz pulls the sword back: "You haven't changed."

Angel: "Actually, I have. While you were sleeping, a lot changed."

Holtz: "Really?"

Holtz throws something at Angel's face (Holy water?), and his face morphs into vampface for a split second, then back to human.

Holtz: "Somehow things seem the same to me."

Angel: "You're wrong."

Holtz puts the sword tip against Angel's throat again: "I *will* have justice."

Angel: "No. - I don't think you will. - There is no justice for the things I did to you."

Holtz: "You didn't do them to me. And you didn't do them alone."

Holtz turns away and addresses the other Grapplar demons.

Holtz: "Find the female. If he's here, Darla can't be far. (Turns to look at Angel) Or are you going to tell me *that's* changed, too?"

Darla is screaming with pain in the backseat of Angel's convertible.

Gunn: "She's gonna pop right here."

Wes: "The contractions, they're coming more frequently now."

Cordy holding a stake: "You think?"

Wes: "Angel's not back with the scrolls yet. I'd feel a lot better if we had the ancient prophecies to guide ?us."

Cordy: "Please! Women have been giving birth without ancient prophecies for years!"

Gunn: "What we could really use right about now is some Vaseline and a catcher's mitt."

Darla lets out another scream.

Fred: "I don't think she's ready to deliver yet, but she's moved into the active stage of her labor."

Wes looks around: "We have to go. We can't stay here. It's too exposed. Angel should have been back by now."

Gunn: "Something must have happened."

Wes: "Now it's up to us to protect Angel's unborn child. - Darla, we're trying to take you out of here. Relax. The trick is to breathe. Something like this: (Wes demonstrated short panting breaths) Heh, heh, heh, hoh, hoh, hoh, heh, heh, heh..."

Darla: "I! Don't! (Sits up and sends all four of them flying backwards, away from the car, morphing into her vampface) Breathe!"

Darla breaks down in a fit of crying.

Intro

Holtz is riding hell for leather through the night, intercut with flashes of his wife and daughter.

He bursts into his house, kneels down beside the body of his wife and sees the two puncture wounds in her neck.

Holtz is sitting, crying into his hands.

Sarah: "Papa? - Papa."

Holtz slowly lowers his hands: "Sarah?"

He turns and sees his daughter in the doorway, clutching her doll.

Holtz: "Oh, Sarah!"

Hurries over to hold her.

Holtz: "Sarah."

Sarah: "Mommy won't wake up."

Holtz: "Shh... Quiet now."

He sits down, pulls her against him and begins to sing a lullaby.

Holtz: "Sleep, my love, and peace attend thee, all through the night. Guardian angels god will lend thee, all through the night. Slow the drowsy..."

He pushes the hair back from her face and sees two puncture wounds in the side of her neck.

Two of Holtz' men appear in the open door.

Man: "Captain."

Holtz never taking his eyes off Sarah: "Don't come in here."

Man makes a cross: "Sweet Jesus."

Holtz: "Get out!"

The men back away and Holtz resumes singing.

Holtz: "No forebodings (slowly backs away from his daughter) will alarm thee, all through the night."

Holtz sits down on a bench against the wall and watches as his daughter sit in the middle of the room, playing with her doll.

Holtz singing: "They will keep all peril from you, all through the night..."

Wolfram and Hart, night, Lilah, Linwood and Gavin are walking down a corridor. Linwood is holding a picture of Holtz.

Lilah: "We've no idea who he is. We ran everything from the surveillance tapes through face and voice recognition and came up with nada. Whoever he is, he's not in the system."

Linwood: "A new player."

Gavin: "Or an old one."

Linwood: "Go."

Gavin: "Well, sir, he did address Angel as Angelus. That might suggest some sort of personal history."

Linwood: "An old friend."

Lilah: "Not likely. Angelus didn't have friends."

Linwood: "What's the status of our surveillance?"

Gavin: "Still down, but we're working on it."

Linwood: "And we've heard nothing yet from Commander Burke's team or from Dr. Fetvanovich?"

Gavin: "All units were successfully deployed at Angel's hotel. But that's all we know."

Linwood: "Actually that's all *you* know. - I, on the other hand, know nothing."

Gavin: "Sir?"

Linwood: "It's clear that *I* could *never* have been involved in such an ill-conceived and in the end botched operation."

Gavin: "Because you were never here."

Linwood: "That is correct."

Gavin: "But *we* were."

Linwood: "You were. - I'll expect a full report at Thursday's staff meeting, and be advised, when I hear about all this for the very first time I will be both shocked and appalled. (Gives the a smile) Good night."

Gavin: "He's gonna crucify us."

Lilah: "They don't crucify here. It's too Christian."

Angel is still held motionless by the metal grips while Holts admires one of Angel's swords.

Angel: "You're still human. How'd you manage this?"

Holtz puts the sword back into the weapons cabinet.

Holtz: "So, the question becomes - now that I have you - what's the best way to get her?"

Angel: "Only dark magics could have brought you this far."

Holtz: "She was always the trick, you know, not you. Darla was the unpredictable one."

Angel: "Was it a demon - or something else?"

Holtz points a stake at Angel's chest: "What if I just - kill you now? Would she somehow sense it? Would she then come running? (Walks away from Angel) Would that bring her bursting through those doors, I wonder?"

Angel: "Did something come to you, or did you seek it out?"

Holtz: "She might show herself in the service of revenge. - It can be a powerful motivator."

Angel: "Yes, it can. What did you have to give up for this second chance?"

Holtz: "Give up? (Turns to face Angel) I had nothing *to* give up. *You* saw to that."

Angel: "We took a lot from you, that's true. But we didn't get everything. We couldn't take your soul."

Holtz: "What do you know of a soul."

Angel: "I know yours will be destroyed if you allow yourself to be used in the service of evil. - You're a good man, Holtz. A righteous man - and you're being used - for some purpose - other than justice."

Holtz: "Could it be you really have changed? - I don't remember you ever pleading so cravenly before."

Angel: "And I remember *you* used to work with men."

Holtz hits Angel hard across the face.

Gunn crouches down between Cordy and Fred.

Gunn: "Smack him again."

Cordy gives the side of Wes' face a slight smack.

Wes: "Ow."

Wes opens his eyes and slowly sits up, reaching one hand towards the back of his head.

Wes: "That hurts."

Cordy: "Well, you know what they say: birth -painful."

Wes: "Yes, but generally for the mother, not the bystanders. How long have I been out?"

Wes accepts a hand from Gunn to help him to his feet.

Fred: "Not long, but we seem to be between contractions now."

They turn to look at Darla, how is sitting in the backseat of the car, gesturing while talking to herself and crying.

Cordy: "Yep. She's been doing that."

Gunn: "Hormones."

Looks in Cordy's direction as he takes a step back.

Wes: "Come on then. (Walks towards the car) Darla? Darla, do you feel well enough to travel?"

Darla nods.

Wes: "Good."

Wes gets into the driver's seat. Everyone else piles into the front seat as well. Fred, the last to get in, ends up sitting half on Cordy and Gunn's lap.

Darla: "Doesn't anyone wanna sit back here with me?"

Cordy: "We're good."

Gunn: "Yeah, it's - comfy."

Darla: "I promise I won't throw anyone out of the car. - Not while it's moving."

Fred: "It's not that we don't trust you. I mean, we *don't* trust you. But the fact is, your water broke all over the back seat."

Darla: "Oh."

Cordy looks at Wes: "What? What are you waiting for?"

Wes: "I presume we have a tire iron in the trunk?"

Gunn: "Yeah, why? We got a flat?"

Wes: "And how about a hurling ax, or some sort of heavy mallet?"

The turn to see what Wes is looking at: Grapplar demons stepping out of the shadows in front of the car.

Wes: "Also a shotgun wouldn't be a terrible thing at this juncture."

They all turn to look behind the car. More Grapplar demons.

Holtz: "Are you still concerned about my soul, Angelus? My vampire priest?"

The door opens and a Grapplar comes in.

Holtz: "Excuse me."

He walks over to receive the demon's report. Turns back to look at Angelus.

Holtz: "You've got her. Good. Bring her in."

Angel watches the door as the Grapplar pulls in his captive.

Angel: "Lilah."

Holtz: "This isn't her."

Holtz walks over and throws some water in Lilah's face.

Holtz: "She's not even a vampire."

Lilah wiping her face dry: "No, I'm an attorney."

Angel: "Let me guess: dead guys all over my floor - friends of yours?"

Lilah: "Look, if I'd known you were torturing him, I wouldn't have interrupted. Please, continue. I'll wait until your finished."

Holtz: "When I'm finished, he'll be dead."

Lilah: "Really?"

Holtz: "You say you're an attorney. You deal in man's laws, I deal in god's."

Lilah: "Ah, right. A good guy."

Holtz: "Do you know what he is?"

Lilah: "Yeah, I know. (Reciting) Vampire, cursed by gypsies who restored his soul. Destined to atone for centuries of evil, wacky sidekicks, yada, yada. I'd have him killed myself, except the people I work for have this (makes air quotes) 'policy.'"

Holtz: "Hm."

Lilah: "Hmm."

Holtz turns to look at Angel: "What does she mean 'cursed by gypsies?'"

Angel: "Long story, Holtz. I doubt it would interest you much."

Lilah: "How about I go to my car for about twenty seconds? That should give you enough time in here. Then I gotta call some people to clean this mess up. I've got an early staff meeting in the morning."

Angel glances down and spots a grenade in the hand of one of the dead commandos at his feet.

Holtz: "I can't allow you to leave."

Angel cranes his neck to glance at the elevator behind him while Holtz' attention is on Lilah.

Lilah: "What do you mean? Of course you can."

Holtz: "No. You said you work for the law."

Angel puts the tip of his shoe under the dead man's open hand.

Lilah: "No, I didn't. I said I'm a lawyer. I don't care about the law."

Angel: "Lilah?"

Lilah: "What?"

Angel: "Duck."

Angel flips the grenade up and catches the pin in his mouth. He shakes his head and the grenade flies free from the pin.

The top comes off the grenade as it lands on the floor and it explodes a moment later, blasting Angel back and throwing Holtz to the floor.

Holtz picks himself up and looks at the man-shaped hole in the elevator doors. He picks himself up, runs over to them and looks down the empty elevator shaft.

Holtz to his minions: "Search the grounds! (To Lilah) Those men you sent to kill Angelus, they were each of them brave."

Lilah: "Oh, good."

Holtz: "They fought to the last."

Lilah looks at the bodies on the floor: "Yeah, I get *that*."

Holtz: "But send more, and I'll do the same. No one will have him but me."

Lilah: "There weren't sent for Angel. This was meant to be a party for his girlfriend."

Holtz: "You know of Darla?"

Lilah: "Sure."

Holtz: "Tell me, these gypsies, did they curse her as well? Has she, too, been re-ensouled?"

Lilah: "Darla? No. She's free-range evil."

Holtz turns away with a nod: "Hmm."

Lilah: "Hey, if you do manage to catch up with her, I think maybe we can do some business."

Holtz looks back at her: "The only business that I have with Darla is to send her back to the hell that made her."

Lilah opens her mouth to say more, but Holtz is already walking away.

Lilah: "Yeah, okay. Whatever. (Pulls out her phone) Harvey? It's Lilah. I've got a job for you. Angel Investigations."

She leans on the reception desk and sees the remnant of the Nyazian scroll, picks it up and plays with it while continuing to talk.

Lilah: "Yeah. Full cleaner service. (Stops to twist the piece of dark gray material and stares at it) Thanks."

Lilah puts her phone away, glances around and quickly picks up a picture frame lying on the counter and put it over the piece of the scroll and some memo pads. Glancing around the picks the whole stack up and turns to the doors.

Wes, Gunn and the girls a fighting the Grapplars while Darla just sits in the back of the car arguing with herself.

Wes: "Keep the moving."

Gunn: "Don't let them get behind you!"

Darla shakes her head, gets up out of the back seat and slides behind the wheel.

Fred: "Charles! (Gunn clobbers the Grapplar about to get Fred) Thanks."

Fred swings her bat at Gunn. He ducks and Fred's swing hits the demon behind him full across the face.

As the gang continues to fight, Darla starts the car. She puts it into gear and mows down the two demons standing in front of it. Slams on the breaks, backs over one of the Grapplars behind the car, then squeals out of there leaving the her defenders to stare after the disappearing car.

A slightly singed looking Angel comes up behind them and cranes his head to look over their shoulders.

Angel: "What are we looking at?"

Everyone turns to stare at him.

Break

Wes: 'Holtz?"

Angel: "Yeah."

Wes: "The vampire hunter that tracked you and Darla..."

Angel: "Through the late seventeen hundreds, yeah."

Gunn: "Sure it wasn't his great, great, great-grandson?"

Angel: "No it was him."

Fred: "Maybe he's part of what's supposed to rain down ruination upon mankind. The Nyazian Prophecies did say that the Tro-clan was going to be a confluence of events."

Cordy: "And the sudden appearance of an eighteenth century vampire hunter in the twenty first century does seem pretty confluey."

Gunn: "You think he's here for the baby?"

Angel: "I don't think he even knows about it."

Fred: "He wouldn't have to. That's the tragic beauty of a cosmic convergence. I-I mean, he just plays his own small part. He-he comes here looking for Angel and Darla, and in the process ends up finding Angel's unborn child, who, as it turns out, wasn't evil at all as we feared, but was actually meant to be some sort of Messianic figure. But Holtz kills it before it's even born and his vengeance somehow triggers the end of the world! (She smiles at the others, who just look at her) Or not! It could go either way. - Have you thought of a name yet?"

Wes: "We need to find Darla before Holtz does."

Angel: "I can find her a lot faster on my own."

Wes: "Of course."

Angel: "If you guys could just find some place safe for her to have this baby, we'll come to you."

Gunn: "We can do that."

Angel turns to go.

Cordy: "Hey! (Angel turns back) Be careful."

Angel turns to go.

Wes: "Angel. (Angel turns back) The scrolls, you didn't manage to..."

Angel: "No."

Angel leaves.

Wes: "I'm sure we'll be fine without them."

A guy wearing white gloves is examining the remnant of the scroll in Lilah's office.

Man: "Nyazian. Exquisite! I recognize the Ga-shundi cross-text. Quite a find! Have you any idea what this is worth?"

Lilah: "Hopefully enough to cover my ass. (Hands him the memo pad) Here, these notes should help speed things up a little."

Man: "Ah! You had another translator work on this I see. - I don't recognize the handwriting but the idiom would indicate an Englishman."

Lilah: "I don't know. I don't remember."

Man: "It wasn't Worm Forsch in Ancient Symbols and Icons, was it? He's had his eye on my cubicle."

Lilah: "No, it was somebody else. You don't know them."

Man: "He's only got that one eye..."

Lilah: "Don't worry about it. Outside contractors. Now, I've highlighted the sections they seemed to be concentrating on."

Man: "You *highlighted* an ancient Nyazian Scroll?"

Lilah: "In yellow."

Man: "Hmm."

Lilah: "So, can you translate it?"

Man: "When it comes to sacred prophecies it's always going to be more of an interpretation than a strict translation."

Lilah: "I'm just looking for the gist here. What does it say?"

Man: "Let's see. (Looks through his magnifying glass at the symbols on the scroll) Bring... forth... appear... born... Uh! Something about a birth!"

Lilah: "What? What about the birth?"

Man: "It's unclear."

Lilah: "Make it clear."

Man: "Well, this should be fun!"

Lilah: "No. This shouldn't be fun, what it should be is done by morning - or I'll have your family killed."

Lilah leaves.

Holtz is back in the chamber he woke up in talking to Sahjhan.

Holtz: "You knew. You knew and you didn't tell me."

Sahjhan: "Okay! So I left out one teeny weeny little detail. It didn't seem all that important."

Holtz: "Not important? Angelus with a soul?"

Sahjhan: "It doesn't mean anything!"

Holtz: "It means everything."

Sahjhan: "See? This is *why* I didn't mention it. So Angel has a soul. Big whoop! So did Attila the Hun! Not to mention a heart as big as all outdoors when it came to gift giving. He is *still* a vampire! Angel, not Attila."

Holtz: "He's not the same vampire."

Sahjhan: "Of course he is! His hair is a little shorter, a little spikier. He's using product. But it's the same guy."

Holtz: "No. He's changed. He's - different."

Sahjhan: "Look. I don't know what kind of moral mind games you've been torturing yourself with, but can't let this soul thing get in the way of what you swore to do."

Holtz: "Get in the way?"

Sahjhan: "That's what this is about, right? You find out Angel has a soul, now you're wondering if things are a little murkier - ethically speaking."

Holtz: "Things - have never been clearer. Releasing his soul to suffer for all eternity only makes his destruction more just, more fitting."

Sahjhan: "Oh. Well, then what's the problem?"

Holtz: "You've had me hunting the wrong prey."

Sahjhan: "Ah! Right. Because an Angel with a soul is going to be a slightly different challenge from an Angel without a soul."

Holtz: "I must know everything."

Sahjhan: "Right. No, gotcha. My mistake."

Holtz: "You've kept nothing else from me then?"

Sahjhan: "Ah. - No. - Nothing I can think of."

Darla is standing on top of a building looking over the city below, her hands cradling her pregnant belly.

Angel: "You always did love a view."

Darla: "Look at it. Listen to it. Can you smell it? This world. This horrible world. Why would anyone want to bring a baby into it?"

Angel: "To make it better, maybe?"

Darla: "Or to destroy it finally."

Angel: "Why is it everyone insists on planning my son's future before he's even born?"

Darla turns and walks past where Angel is standing.

Darla: "Alright then, how's this? It doesn't have a future. Not with me."

Angel follows her: "Darla..."

Darla: "Angel, I can't have this baby."

Angel: "What?"

Darla: "I can't let it out. I-I can't."

Angel: "Okay, not sure you have a lot of choice in the matter..."

Darla: "Look, I know. It wants to come out. I can feel it. It's ready. It's just - I can't let it. I can't let because... because..."

Angel: "You love it."

Darla: "Completely. I love it completely. I-I-I don't think I've ever loved anything as much as this life that's inside of me."

Angel: "Well - you've never *loved* anything, Darla."

Darla: "That's true. Four hundred years and I never did - till now. - I don't know what to do."

Angel: "Well, you-you'll do the only thing that you can do. - You'll have it. You'll have it and then..."

Darla: "What? We'll raise it?"

Angel: "Why not?"

Darla: "It's impossible."

Angel: "This whole thing is impossible, Darla, but it's happening."

Darla: "What do I have to offer a child, a *human* child, besides ugly death?"

Angel: "Darla."

Darla: "You know it's true."

Angel: "No. What I do know is that you love this baby, our baby. You've bonded with it. You've spent nine months carrying it, nourishing it..."

Darla: "No. No, I haven't been nourishing it. I haven't given this baby a thing. I'm dead. It's been nourishing me. These feelings that I'm having, they're not mine. They're coming from it."

Angel: "You don't know that."

Darla: "Of course I do! We both do. Angel, I don't have a soul. It does. And right now that soul is inside of me, but soon, it won't be and then..."

Angel: "Darla..."

Darla: "I won't be able to love it. I won't even be able to remember that I loved it. (Starts to cry) I want to remember."

Angel pulls her against him.

Angel: "Shh..."

Angel closes his eyes as he holds a crying Darla.

Lorne: "Here?! She wants to have it here? Well, that's just a terrible idea. Can't you see I'm working my tush off trying to get ready for a grand re-opening? (To a girl carrying a big jar) Uh, ah, Gorsh entrails behind the bar next to the Maraschinos. I can't have *baby* here! I just had the booth simonized."

Cordy: "Lorne, what do you want us to do? Tell Angel and Darla that they're not welcome here?"

Lorne: "No. No, of course not. Caritas is and will always be a Sanctuary. That is if *some* people ever finish the work they promised to have done three days ago. How's the job coming, Arnie?"

Arnie: "I think we'll have up on her feet by the time you open tomorrow night."

Gunn: "New security system?"

Lorne: "Yeah, routes the new sanctuary spells together to prevent both human and demon violence, Creating a totally carnage free Caritas."

Arnie: "But, ah, balancing that interspecies flux, a little trickier than I expected."

Lorne takes the leaflet Arnie is working from away from him.

Lorne: "Uh-huh. That's not the only thing that's tricky around here. You hum while you work."

Arnie: "Yeah, so?"

Lorne: "So? I just read you, buster! Which connection are you leaving unconnected to milk this job?"

Arnie: "You're questioning my work ethic?"

Lorne: "No, I'm firing you! Get out. Out. Git. Go on."

Lorne pushes Arnie towards the door.

Arnie: "Hey, I'm union. You got to pay me for the full day."

Lorne: "Out. I'll finish this myself. How hard could this be?"

Lorne opens the leaflet.

Angel and Darla are standing beside each other on the rooftop, each facing a different way.

Darla: "You won't let me hurt it, will you? You'll protect it, right? From me, I mean."

Angel's cell phone rings and he answers it.

Angel: "Yeah."

Wes: "We found a place."

Angel: "Is it safe?"

Wes looks over at the host working on the equipment.

Wes: "I'm sure by the time you get here it'll be safe as houses."

Lorne: "Okay. Try that."

Fred sighs and give Gunn a slight slap across the face.

Fred: "Nope, still not working."

Lorne: "Okay. Ah. - Try it now."

Fred slaps Gunn again.

Gunn and Fred: "No!"

Darla hunches over and leans against a post.

Angel: "Hey - Darla? We should - get going. I feel a storm coming. You okay? Another contraction?"

Darla: "No. It's something else."

Lilah walks into her office.

Lilah: "You got something?"

Man: "Yes. I believe I do. I have to say, whoever you had working on this before was very close. These notes were enormously helpful."

Lilah: "That's great. What does it say?"

Man: "I can see he ran into trouble right here with the tense. Ga-shundi tenses are tricky little buggers! (Laughs)"

Lilah: "I'm riveted. The birth! What does it say about the birth?"

Man: "Well, actually, it's funny... it doesn't."

Lilah: "What do you mean, it doesn't. But you said it did."

Man: "Yes, I did say it did."

Lilah: "But it doesn't."

Man smiling: "In a way."

Lilah: "I have a gun."

Man: "The prophecy, it's not so much a birth announcement as it is an obituary."

Lilah: "Obituary?"

Man: "Yes. The prophet is telling us there will be no birth."

Lilah: "But are you sure?"

Man: "Oh, quite sure! 'For surely in that time, when the sky opens and the heavens weep, there will be no birth, only death.'"

Lilah: "Only death?"

Man: "Just death."

Lilah considering: "Just death."

A slight smile plays across her face.

Break

Holtz is sitting in his house staring straight ahead. The two men form the night before have come back. It is now day outside.

Man: "Captain. (Holtz doesn't move) Captain, we beg you. Let us take you out of this place. (Looks at Caroline's body) It's the devil's work."

Holtz: "Not the devil. Just a demon."

The man looks over at Sarah cowering in a dark corner, clutching her doll.

Man: "What are we going to do?"

Holtz slowly gets up: "Whatever we have to."

Holtz walks over to Sarah and picks her up.

Sarah: "Papa, no! Please, no, papa! Papa, don't. Let me go!"

Holtz caries her over to the door and out onto the roofed porch.

Sarah: "No, papa. Papa, don't!"

Sarah tries to cling to one of the porch's pillars, but Holtz pulls her away and pushes her out into the bright sunlight of the front yard. She turns back to look up at him, morphing into vamp face as she burns up in the direct sunlight.

Holtz stays and watches until she's gone then walks back into the house.

Wes is pacing. Gunn is sitting in front of the bar, playing his gameboy. Cordy is sitting on a stool behind him, reading a magazine. Fred is sitting beside Lorne reading the leaflet, while Lorne is still messing with whatever magic-machine Arnie was installing.

Lorne: "Okay. Okay. I'm *convinced* I got it this time!"

Cordy smacks the back of Gunn's head.

Gunn: "Ow."

Lorne takes the leaflet away from Fred: "Let me see that."

Angel supports Darla as he's leading her down the stairs.

Angel: "Just a few more steps. That's it. Okay. All right."

Wes walks over to them.

Angel: "Guys. A chair. Chair."

Wes pulls a chair out for Darla.

Gunn: "Jeez, what happened?"

Angel helps Darla into the chair: "Easy."

Darla: "Thanks."

Gunn looks from Angel to Wes. Angel motions with his head to the corner of the room and he and Wes walk away.

Cordy to Darla: "You're welcome."

Fred: "You gave us quite a scare. - But - I guess you're used to that, what with being a scary thing and all."

We hear thunder rumbling outside.

Darla: "Yeah. I'm sorry about that. I don't know what got into me."

Darla starts to laugh quietly to herself as she looks down at her belly.

Angel: "She's in a lot of pain."

Wes: "How frequent are the contractions?"

Angel: "It's been... I don't know, maybe an hour?"

Wes: "An hour? She was well into the active stage of labor. I don't understand."

Angel: "I don't either. She just - stopped having them."

Wes: "But the pain she's experiencing?"

Angel: "She says she's experiencing something else."

Wes whispering: "That's worrying."

Darla suddenly hunches over with a moan of pain.

Cordy: "Angel!"

Angel hurries to her side.

Angel: "Darla?"

Darla: "Angel!"

Lorne: "Let's get her into my bedroom. Come on."

He and Angel help her up and lead her away.

Lorne: "Easy. Easy now. Come on, sweetheart. We'll get you right in there."

Fred looks down at the chair Darla was sitting on as notices a little puddle of dark blood on the seat.

Sahjhan: "It's time to get to work."

Holtz: "You found him then?"

Sahjahn: "Tell him."

Arnie: "Don't forget what we discussed."

Sahjhan: "You'll get your money."

Arnie: "I've heard that one before. You know, I've got mouths to feed. Plus a family. Some of them have mouths, too."

Sahjhan: "Just tell him what you heard!"

Arnie's eyes light up and he mimics Cordy: "Lorne, what do you want us to do? Tell Angel and Darla they're not welcome here? (Mimics Lorne) No, of course not. Caritas is and always will be a sanctuary."

Angel waits at the door as Wes and Fred check on Darla lying on Lorne's bed, then walk over to him.

Angel: "Is she gonna be okay?"

Wes: "She's tough as nails."

Fred: "And immortal, so that's, you know, in her favor - health wise."

Angel: "What about the baby?"

Wes glances back at Darla, then walks out of the room. Angel follows him.

Darla lifts her head and watches the leave.

Angel: "What? What is it?"

Wes: "Angel, I think you need to prepare yourself for the worst."

Angel: "No."

Wes: "The babies heartbeat is faint. Very faint."

Angel: "What do we do?"

Wes: "I'm not sure there is anything we can do. Darla's body - it's not a life-giving vessel. I don't know that it's equipped to do what it needs to do in order to bring a baby to term."

Angel: "So-so, what-what are you saying? We just let it die?"

Cordy: "Ah, what about a c-section?"

Fred: "Normally that's exactly what we'd do in this instance, but... the mystical forces that's been protecting the pregnancy..."

Thunder rumbles outside.

Angel: "...is gonna end up killing it."

Wes: "That's my fear."

Angel sighs, and rubs his eyes: "This doesn't make any sense. I mean, this whole thing has been a miracle, right? You don't just get half a miracle, do you? - I mean, the powers - they brought her this far, they protected the baby all this time..."

Gunn: "We don't know that. We don't know that it's the powers that's been protecting it. Angel, I'm sorry, but what if what Darla's carrying *is* the thing in the prophecies? That scourge of mankind that's supposed to plunge the world into ultimate darkness? - What if - what if what's happening to Darla *now*, what if that's the powers? Finally stepping up to the plate and doing something for once!"

Angel staring straight ahead: "How? By killing my kid?"

Angel walks towards Lorne's bedroom.

Cordy to Gunn: "Do you always have to be so damned honest?"

Cordy reaches out to slap Gunn on the arm, but her hand is repelled by a by blue force field.

Lorne: "What? Hey! Hey, it-it worked! I fixed it!"

The others continue to look glum.

Lorne: "Ah, yay, me?"

Angel stands in the doorway of Lorne's bedroom and looks at Darla for a moment before walking over and sitting down on a chair beside the bed.

Darla stirs, opens her eyes and looks at him.

Angel: "Hi. How 're you doing?"

Darla: "He finally stopped kicking."

Angel: "Did he."

He leans forward and lays one hand on Darla's belly.

Angel: "I guess he figured he finally got your attention. - You called him a 'he.' (With a slight smile at Darla) I think that's the first time you've ever done that."

Darla: "He's dying. (Angel's smile melts away, but he refuses to look away from her) Isn't he?"

Angel after a beat: "No."

Darla: "You lied much better when you didn't have a soul. - I can feel the life slipping away from me."

Angel: "Then don't let it. You have to fight for this. - Please."

Darla: "I don't know how. My boy. (Strokes her belly) My darling boy. - I told you I had nothing to offer this kid. Some mother (there are tears in Darla's eyes) can't even offer it life."

Gunn gets up off his stool: "Maybe I should go in there, apologize."

Wes takes hold of his arm: "Best to just stay here, wait this out."

Cordy: "I think both Angel and Darla just need a little time alone."

Fred: "This isn't gonna end well, is it?"

Lorne: "Okay. Everybody's drinking. I'm buying."

He gets up from his chair and sees Holtz walk into the bar.

Lorne: "Oh, hello."

Holtz looks Lorne up and down: "Hello."

Lorne: "We're not open at the moment. Why don't you come back tomorrow night? (Hands him a flyer) It's the grand re-opening. Here. Here's a flyer."

Holtz takes it: "Thanks."

Lorne walks around the bar to pour some drinks.

Holtz takes a slow look around, the turns and walks out, singing quietly: "Sleep, my love and peace attend thee, (Lorne starts to hum along) all through the night, guardian angels god will send you, all through the night..."

Lorne's eyes suddenly widen and he drops the bottle and glass back onto the counter.

Lorne: "Run!"

Cordy: "What's going on?"

Lorne heading for the back of the club: "Just run! Run."

The others get up and follow him.

A red metal barrel tumbles down the stairs and comes to rest just on the other side of the metal security doorway. A grenade bounces down the steps and comes to rest beside it. A beat later the grenade explodes and big fireball sweeps through the club, destroying everything in its wake.

Break

Angel is supporting Darla beside the bed as the others run in.

Angel: "What's going on?"

Wes: "We're being attacked."

Angel: "Attacked? I thought you had double protection sanctorium spells?"

Lorne: "I do. It's a thing with the door and the stairs and the world and the thing. Never mind!"

Gunn: "Apparently you can be outside and shove stuff in."

Lorne: "I just said that."

A burning beam crashes through the ceiling beside Angel and Darla. Darla lets out a little scream.

Angel: "It's Holtz."

Darla: "What?"

Lorne: "Come on. We've got to move the bed."

The others go and help Lorne.

Darla: "How's it possible?"

Angel: "He's here. I would have mentioned it before, but I didn't think it was the right time."

Darla sinks down onto a chair.

Darla: "No. No, it's the perfect time."

Gunn as they pull out the bed: "What's behind the bed?"

Lorne: "An old loading dock door. I had the whole place converted."

Wes: "What's on the other side?"

Lorne: "An alley."

Darla: "What we did to him."

Angel: "I know."

Gunn: "You got an ax, a hammer or anything?"

Wes: "Buddha head."

Hands it to Gunn.

Cordy: "A rhino."

Hands it to Wes.

He and Gunn haul back with the statues and attack the wall.

Darla: "That's why this is happening. His family, his children... - what that must have been like for him. Doesn't seem so funny now, does it?"

Angel: "Darla?"

Wes: "Angel, we could use some vampire strength here."

Angel: "Cordy, Fred!"

Cordy and Fred take his place with Darla.

Angel steps between Wes and Gunn who step aside and watch him batter down the wall with his fists and feet.

Holtz walks into the burning remains of the club.

A back alley lit by Chinese lanterns. Angel breaks through into it from Lorne's bedroom. Wooden shards fly as he enlarges the opening. Cordy steps through it, followed by Wes, Fred, Gunn and Lorne. Then Angel half carries Darla through it.

Darla: "No. No. Go on. I can't. It doesn't matter anyway."

Angel: "I'm not leaving you, alright? Easy. Alright. (Pulls out his keys and tosses them towards the others.) Go get my car. It's out front."

He lowers Darla to the ground and crouches down beside her.

Angel: "I got you."

Cordy makes move to join him.

Angel: "Go!"

All of them turn and hurry off (Lorne is holding to pieces of cardboard over his head to keep some of the rain off himself), but after a few steps Fred stops and runs back to crouch beside Angel and Darla.

Angel: "Fred, go with them."

Fred: "It's okay. They'll come back for us."

Angel takes off his jacket and slings it around Fred's shoulders.

Angel to Darla: "You're gonna be okay."

Darla: "No. No, I don't think so. Once he's gone, I won't be okay. I won't be okay at all. - I don't know what I'll be. - Angel... Our baby is gonna die right here in this alley. - You died in an alley, remember?"

Angel: "I remember."

Darla: "I wanna say I'm sorry. I wanna say it and mean it, but - I can't. - Aren't you gonna tell me it's okay?"

Angel: "No."

Darla: "No? It's really not, is it? We did so many terrible things together. So much destruction, so much - pain. - We can't make up for any of it. You know that, don't you."

Angel after a beat: "Yeah."

Darla: "This child - Angel, it's the one good thing we ever did together."

Angel lifts Darla's hand between both of his and pressed it against his lips.

Darla: "The only good thing."

Angel buries his face in his hands, still holding onto Darla's, takes a sobbing breath.

Darla: "You make sure to tell him that."

Darla is holding one of the splinters of wood and buries it in her chest, gasping. Angel lifts his head and stares as Darla turns to dust.

Where Darla was there is now a naked human infant lying in the rain, crying.

Holtz steps into Lorne's bedroom with flames flickering all around him. Lifts his crossbow and looks around.

Angel carefully gathers up the baby.

Holtz steps through the hole in Lorne's wall into the alley. Lifts the crossbow and aims it at Angel as Angel slowly stands up, cradling the crying infant.

Fred hands Angel's jacket back to him and he wraps it around the infant.

Holtz is watching them over his crossbow.

Angel slowly turns his head and sees Holtz.

For a moment they just look at each other.

A Grapplar appears at the mouth of the alley behind. Angel looks from it to the baby (that has quieted down) to Holtz.

Angel's car pulls up behind two Grapplars at the other end of the alley and Wes gets out.

Holtz slowly lowers his crossbow, still looking at Angel cradling the infant against his chest.

After a beat Angel slowly walks past Holtz, Fred clinging to his right arm.

Holtz watches as Angel and Fred pass between the two Grapplars.

Sahjhan: "Do it! Now's your chance. Do it! Finish it while you still can! You can't just let him walk away! Not now! Not after what you swore to me!"

Holtz watches as Fred and Angel get into the car.

Holtz: "I swore that I would show no mercy. (Watches Angel's car drive away) And I won't."

3x08 - Quickening

on . Posted in Btvs Guide - Angel Script

Previously on Angel:

Quick shots of Darla and Angel making out, and of Holtz' demon cocoon breaking.

Wes: "The Nyazian Scrolls mentions the Tro-clan that brings about the ruination of mankind."

Cordy: "Imagine what could have happened if you'd gone nuts and slept with Darla!"

Angel: "You know I would never do that."

Darla: "Hello, lover."

Angel: "Darla?"

Wes: "Darla."

Cordy: "Darla?"

Angel: "This is impossible."

Darla: "Tell me about it - Daddy."

Cordy: "You slept with her?"

Angel: "Uh..."

Cordy to Darla: "How are you feeling?"

Darla bits Cordy.

Angel: "Get away from her!"

Angel: "You're gonna be all right! I'll kill her for this."

Cordy: "You gonna have to find her first."

Angel tackles Darla away from the boy.

Angel holds Darla and raises the stake.

Darla: "Come on! Do it! Do it! Do it!"

Angel: "The child. It has a soul."

Darla: "No it doesn't..."

Angel: "It does. It does."

Fred: "Whatever that thing is, it is arriving right about - one, two - now."

Holtz: "Just tell me where he is."

York, England - 1764

Holtz gallops through the countryside at night. Stops and then rides up to another man signaling with a torch.

Man: "We found them."

Holtz: "Go."

They ride off.

Inside of a house, dimly lit by a candle. A knock on the door. A young girl opens the door.

Angelus: "Ah, is your mother home there, young lady? (Girl nods) Will you take us to her?"

Sarah: "Father said not to let strangers in while he's away."

Angelus and Darla look at each other.

Angelus: "But we're not strangers. You're Sarah, aren't you? We know all about you. You're the apple of your father's eye."

Darla: "Would strangers know that?"

Sarah shakes her head.

Angelus: "So, lass. May two friends enter?"

Sarah steps to the side.

Angelus: "Is that a yes then?"

Sarah: "Yes."

Angelus: "Ah. Lovely."

Darla and Angelus walk in. Darla takes Sarah's hands.

Darla: "Such a dear girl. Remind me to give you a special treat."

Angelus locks the door.

Holtz and the other man are riding hell for leather through the night.

They meet up with some other men carrying torches.

Man: "They're trapped inside."

Angelus: "Did you mommy make you that dress Sarah?"

Mom: "What's all the fuss, love?"

Darla, Sarah and Angelus walk into the kitchen.

Angelus: "Good evening to you, ma'am."

Mom: "Evening."

Holtz takes a torch from one of the men and leads them towards a dark house.

Holtz: "Burn it down if you have to."

Angelus: "We can only stay for a moment. We have a message for you husband."

Mom: "You know my Daniel?"

The men near the house.

Mom: "What is his message?"

Darla: "I'll give it to Sarah, hmm?"

The men reach the door of the house.

Holtz: "On my signal."

Darla brushes the hair back from Sarah's face.

Darla: "Close your eyes. I have a surprise for you."

Darla looks at the mother, morphs into vamp face and sinks her fangs into Sarah's neck. Sarah screams and Mom tires to run to her daughter but Angel holds her back.

Angelus: "Tell your husband, Mr. Holtz..."

Mom sees Angelus vamp face: "No... no..."

Angelus: "Never mind. I'll tell him meself."

Angelus sinks his fangs into her neck.

Holtz break in the door, looks around.

Holtz: "Where are they?"

He finds a note that reads: "How do you hope to save others when you can not save your own?"

Holtz: "They're at my house."

Darla and Angelus look up as they hear a baby cry.

Darla: "Can something be done about that horrible noise?"

Angelus straightens up.

Darla: "I think it wants its mother."

Angelus: "Let's send it to her. Do you wanna do it, or should I?"

Holtz and two other men ride through the night.

Holtz slams the door of his house open and enters the kitchen to see his wife lying there with vampire bite marks on her neck.

Hyperion, day

Darla is lying on a bed, apparently asleep.

Angel walks in and sits down beside the bed. After a moment he hesitantly reaches out and puts one hand on Darla's swollen belly. Darla stirs, but her eyes stay closed. One of her hands comes up to cover Angel's.

Darla: "Are you going to do it (opens her eyes to look at Angel) or am I?"

Intro

Scenes from world history flash across four TV screens stacked side by side.

Holtz is sitting in a chair in front of them, watching. He is still in the same circular room that he woke in, lit by fire burning in bowls sitting in the niches lining the walls.

The demon that did the incantation to wake him suddenly stands behind his chair.

Sahjhan: "I know it seems like only a moment to you. But two hundred and twenty seven years have passed since our agreement. Empires have risen and fallen. Mankind has harnessed the power of the sun, walked on the moon, and turned arid desserts into fields of green."

Holtz: "What of England? Has it survived the years and destruction?"

Sahjhan: "Yes. - It went through a rough patch about sixty years ago, but it's mostly unchanged. Warm beer, boiled meat, bad teeth. That's why I moved to LA. - Have you followed this part of the history? American Revolution, manifest destiny, westward expansion, the Beach Boys?"

Holtz: "I understand enough. One thing baffles me. (Indicates the TVs) These visions, wars, the weapons of destruction - how is it no one has killed Angelus or Darla?"

Sahjhan: "That's why I brought you here, remember? Because your fate and their fate are entwined."

Holtz gets up: "Then let's go. Let's finish this. I want Angelus."

Sahjhan: "I know. I want him, too. But we're going to do it right. I haven't waited two and a half centuries to mess it all up."

Holtz: "You have been tracking them this entire time?"

Sahjhan: "Yes. But not in the way you imagine. There are other dimensions, other worlds where time behaves differently. I have an ability to navigate those dimensions."

Holtz: "And is that why you haven't aged?"

Sahjhan: "That, and I had a little work done. Mostly around the eyes. Now get some rest. You're going to need it."

The demon leaves and Holtz sits back down in the chair facing the TVs.

Darla is lying on the couch in Angel's suite, Angel is sitting in a chair.

Darla: "You figure out a way to do it?"

Angel: "No. I was thinking about the last time you were here."

Darla: "Mmm - that. (Sits up) Kind of hard to forget."

Angel: "I know. I've tried."

Darla stands up and begins to walk around.

Darla: "Hey, you're the one that came in here all 'the world is a cold and lonely place.'"

Angel: "I had a bad day."

Darla: "So, you threw me through those glass doors, slammed me against the wall, pushed me onto the bed and took what you wanted."

Angel: "It seemed like the thing to do - at the time."

There's a knock on the door.

Angel: "Come in."

Gunn walks in carrying a loaded crossbow, followed by Wes, Fred and Cordy.

Wes: "Sorry to intrude. We had a bit of a breakthrough with the Nyazian Scroll translation. I thought you should know."

Fred: "It turns out that some of the irregular verbs Wes was using were problematic when converted to Ga-shundi because of the Nyazian trick of converting both nouns and verbs, which he discovered by... - Sorry. I'll shut up now so he can tell you what he figured out."

Wes: "The Tro-clan isn't a person or persons. It's a confluence of events."

Cordy: "Which means it not only involves you, Darla and the child, but other horrible things we don't know about."

Angel: "That... That's good. Right? I mean, doesn't that mean that the kid isn't this evil, apocalyptic thing that we feared?"

Wes: "Not necessarily. There are a few Nyazian phrases related specifically to the thing being born that I haven't been able to complete."

Angel: "So it's important that you so."

Gunn: "Because we need to know what kind of bun is in the oven."

Darla: "I know one thing about it. Something's protecting it."

Fred: "How do you know that?"

Darla sits down: "Because I can't get rid of it."

Fred: "Sorry I asked."

Gunn raises the crossbow: "So you're saying, if I shot this into your stomach, it wouldn't do anything?"

Darla spreads her hands: "Fire away."

Angel steps between them: "No one is firing anything."

Wes: "Angel's right. Clearly something wants this thing to come to term. - We'll wait for it to be born then we'll chop its head off."

Fred: "Well, what if it doesn't have a head?"

Cordy: "We're gonna need a really big mallet."

Gunn: "If it skitters, we should have a net or something. Maybe a flame thrower."

Angel: "Flame thrower? No, no. There'll be no throwing of flames. Nobody's gonna do anything until we know exactly what's going on. Now, if anybody has a problem with that they should leave - now."

Darla gets up, shrugs and walks towards the door. Angel pulls her back.

Angel: "Not you."

Angel sighs and takes a step closer to the others.

Angel: "Come on, guys. How about it?"

After a beat Gunn lowers his crossbow with a nod.

Angel: "Cordy?"

Cordy steps closer: "You want me to protect the vampire bitch who bit me *and* her evil love child?"

Cordy hauls back and clocks Darla full on the nose, sending her stumbling back against the chair.

Cordy smiles at Angel: "Okay, I'm in."

Darla leans on the chair and moans.

Cordy: "Oh, come on, tough girl. You're a vampire.. A punch in the nose shouldn't hurt that much."

Fred: "Not ow her nose. She's having contractions."

Darla writhes in the chair, groaning.

Wolfram and Hart, day

Lilah pricks her finger with a needle. Lets the blood drip into a little jar, then dips a pen in it and signs her name on a line labeled 'witness' at the bottom of a paper.

There is a knock on the door and a mail clerk comes in with his cart.

Cyril: "Good morning, Miss Morgan."

Lilah: "Morning."

Blows on her signature, then sticks the paper into an envelope and hands it to the clerk.

Lilah: "Would you take this to Pinderhook down in demon resources for me?"

Cyril: "Sure. - Uh... - Miss Morgan, I hate to bother you. But I've been admiring you for quite a while and I was wondering..."

Lilah: "Don't flatter yourself, Cyril. I don't date guys from the mail room."

Cyril: "Me neither! - (Holds out a CD case) I just thought you should know about this."

Lilah takes it and pops it into her computer. Cyril starts to head for the door as a surveillance video of Angel and Lilah making out on Wes' desk comes up on her screen.

Lilah: "Wait. (Walks over to Cyril) You little weasel! If you think you can blackmail your way onto me on *my* desk..."

Cyril: "No! That's not it! You got it all wrong. I respect you way too much to be attracted to you. It's - it's just - down in the mailroom, I see a lot. You know? Different factions in the firm. There comes a time when a guy has to choose a side."

Lilah: "And is that disk your way of telling me you're choosing *my* side? (Cyril smiles and gives her a nod) And who are we allied against, you and I? Who is this common foe?"

Cyril: "I'd rather not..."

Lilah: "If you don't tell me right now, I'm gonna have your skin peeled off and stapled back on inside out."

Cyril: "Mr. Park."

Lilah: "Gavin."

Lilah goes and gets the disk.

Cyril: "Remember those exterminators he sent to Angel's hotel? They don't kill bugs. They plant them."

Lilah: "Hm."

Lilah walks past him towards the door. Cyril follows her out, pushing his mail cart.

A finger taps against a fuzzy video screen, and a picture of the Hyperion's lobby flickers to life.

Angel's voice: "Good. That's it. Where is your weight? Balls of your feet? Don’t forget to..."

Cordy: "Oops. Oh, god, you said that..."

Gavin looks over the shoulder of a guy wearing headphones while transcribing.

Gavin: "Keee-yi-ha ow. Someone doing an incantation?"

Transcriber: "No. Angel started training female one in martial arts. I think she got in a lucky punch."

Gavin: "Any tech problem?"

Transcriber: "Just a couple glitches. Don't sweat it though. I've been staying late. (Hands Gavin a huge book-like file) That is the transcription of everything up to last week."

Gavin opens the top cover.

Lilah: "How about that? I just asked myself, if I were a cockroach, where would I hide? And voila! - there you are! (Holds up the disk) Did you really think you could blackmail me with this?"

Gavin: "Blackmail? (Laughs) No one cares. From what I've hear-, bumping uglies with an old man that body-jumped into a vampire is the closest thing you've had to a meaningful relationship in years. This is about something else. - Thank you, Cyril."

Cyril peeks his head around the corner of the open door: "You're welcome - sir."

Lilah: "What was all that crap about choosing sides?"

Gavin: "He did. He's on mine."

Lilah: "Is this your convoluted pathetic way of asking for my help? Because you sure need it. You're understaffed, underfunded, and clearly (takes the file from him) undertalented. So, what have we learned here?"

Gavin: "We? There is no we. I just decided it was time you understood the full scope of what I've been doing these past few months."

Lilah: "Who is this 'unidentified, pregnant female'?"

Transcriber: "I - I don't know. We lost audio for a couple of days last week. I can pull the tape."

Lilah: "See? Need me."

The transcriber pops a tape in a VCR. On the screen Darla walks into the lobby.

Lilah: "Darla?"

Gavin: "Darla? That's impossible. Vampires can't give birth!"

Lilah pulls out her cell phone: "Tell me about it. (To phone) Linwood? It's Lilah. You're not gonna believe what I'm looking at."

Darla is sitting in the chair, moaning and holding the sides of her belly.

Angel: "How long since the last contraction?"

Fred: "About twenty minutes. They're still real irregular."

Darla: "Something's wrong. The pain..."

Angel: "You like pain."

Darla: "This is different. I want it out - now!"

Wes: "That's exactly what's happening, Darla. You're in the first stage of labor."

Angel: "Labor, that's - that's good, right? How long does it usually last?"

Wes: "It varies. On average, the whole thing, maybe eighteen hours."

Darla forces herself up out of the chair: "Eighteen hours? That's too long!"

Angel supports her as she hunches over with another contraction.

Angel: "Alright. Easy. Lie down."

Angel helps onto the bed as the others leave and close the door behind them.

Angel: "I'll be right back."

Angel follows the others out.

Angel: "Guys, we got to figure out what's inside of her now, before it skitters out."

Gunn: "We should get a demony doctor in here. You know, someone who understands how her vampire girl parts work. (Cordy looks at him) You know what I'm saying."

Cordy: "Well, didn't she already try that whole shaman, voodoo, witch doctor thing?"

Angel: "Yeah. She did."

Fred: "I don't suppose she ever went to like a normal doctor or a hospital?"

Cordy: "Hey, there's an idea: hospital. Oh, wait, they don't admit vampires."

Angel: "Who says we have to admit?"

Wes: "Of course. We don't need the right doctor, we just need the right equipment."

We hear Darla groaning in the other room and Angel hurries back to her.

Wolfram and Hart, day

Linwood is walking down the hallway talking to his phone, flanked by Lilah and Gavin.

Linwood: "I don't care how much it costs. Just find someone who can answer the bloody question. (Closes his phone) Heads are gonna roll if the Senior Partners hear about this."

Gavin: "They won't. That's why we came directly to you."

Linwood: "Darla - pregnant. How'd we miss it?"

Lilah: "I'm sequestering the psychics and the mind readers in the conference room. We will get to the bottom of this."

Linwood: "Man works hard - builds something - waters it - grows rich and powerful. - Leaves his wife for a younger beauty. - These are the reasons we take certain - blood oaths. - And to have it all vanish because..."

Lilah: "Sir, I can't stress enough. There is no way we could have foreseen this."

Gavin: "She's right, sir. No one could have known."

Cyril sticks his head out of a door just after they walk past it.

We hear a phone ring.

Cyril is on his cell.

Woman's voice: "Hi, you've reached the Tittles. We can't come to the phone right now. If you wanna leave a message for Christine, press one. (man's voice) For Bentley, press two. (Deep, gravely voice) Or to speak to or worship Master Tarfall, Underlord of pain, press three."

Cyril pushes a button.

Cyril: "Master, it's happened. The thing you have foreseen has come to be. We must tell the others."

Break

York, England, night, nine years later

Holtz is sitting in front of a fire. His eyes are closed. We get flashes of fire intermixed with flashes of his family and screaming. Holtz opens his eyes and takes a drink form the pewter mug he is holding. We hear a funky sound effect. Holtz doesn't stir from his seat.

Holtz: "Another step and it'll be your last. If you've come for anything other than a fight, you're in the wrong place."

Male voice: "A fight's exactly what I'm looking for."

Holtz stands up and turns around.

Holtz: "Be a man and who your face."

Out of the shadows steps the demon that brought Holtz to LA.

Sahjhan: "I'm not a man. - What I mean is..."

Holtz takes a closer look at him: "You're not human."

Sahjhan: "But clearly masculine. You get that, right?"

Holtz picks up a pistol and aims it at the demon's breast.

Holtz: "You'll get more than a fight if you don't leave right now."

Sahjhan: "Fine. My mistake. - I just thought you might want help killing Angelus and Darla."

Holtz turns away: "I don't need your help. I'll kill them myself."

Sahjhan: "Not to rain on your parade - but, no, you won't. You'll die a bitter old man and never see them again."

Holtz: "You don't know that."

Sahjhan: "I kinda do. In fact I know that it'll be another two hundred years before you get another chance to confront either Angelus or Darla."

Holtz: "And is this the part of the tale where the demon offers the broken man the chance to change all that?"

Sahjhan: "I'll take you to them. Two centuries into the future."

Holtz: "Through black magic and sorcery."

Sahjhan: "No. On a mule cart. Of course through black magic and sorcery. I'm a demon."

Holtz: "And what do you want from me?"

Sahjhan: "Your word. I want your word that when the time comes you will show them no mercy."

Holtz looks into the dark corners of the room.

Sahjhan: "I don't mean to be pushy, but this is a limited time offer. Say yes, and I'll take you to them this very hour. Say no - and realize the one chance to avenge what they did to your wife and children has slipped away - forever."

Holtz stares at nothing.

Night, emergency entrance of a hospital

Angel is pushing Darla along one of the hospital hallways in a wheelchair.

Angel: "How are you feeling?"

Darla: "I haven't had blood in almost a day, and your devil spawn is trying to rip its way out of my body. How do you think I'm doing?"

A door is pushed open and Cordy motions at Angel.

Cordy whispering: "Psst. Paging Dr. Angel."

Angel pulls Darla's chair through the swinging doors after Cordy.

Wes: "I sent Gunn and Fred to find an ultra-sound machine so we can take a look. Inside Darla, that is."

Angel: "What is this? A classroom?"

Wes: "Yes. It's is a teaching hospital. How are you feeling, Darla?"

Darla doesn't answer.

Angel: "Something wrong?"

Darla: "I think the contractions have stopped."

Angel: "Is that bad?"

Wes walks over and reaches for Darla then pulls back.

Wes: "Do you mind if I..."

Darla: "I won't bite."

Cordy: "No, but that thing inside might."

Wes carefully feels Darla's belly.

Wes: "You may have been experiencing something called Braxton-Hicks contractions. They're a form of false labor."

Darla: "False?"

Wes: "False as in not ready to come out yet."

Darla: "Well, I'm way past ready. I'd cut it out of me if I could."

The door opens and Gunn and Fred wheel in a machine.

Gunn: "Here you go, one ultra-sound machine."

Wes: "Darla, up on the table, please."

Angel: "Don't you wanna see what's inside?"

Darla looks down at her belly.

Holtz is pacing in front of the TVs. A grate slides to the side and the demon enters.

Holtz: "You've kept me here long enough. Where are they?"

Sahjhan: "It's not that simple."

Holtz: "I'm tired of waiting!"

Holtz reaches out to grab the demon, but his hands pass right through it. Holtz pulls his hands back and looks from the to the demon.

Sahjhan: "Like I said - it's not that simple. - Do think I'd go to all this trouble of transporting you two and a half centuries if I could walk up to Angelus and stake him myself? Please! There are rules and timetables and forces at work far greater than either of us. Boy, you vengeful types aren't real good at playing with others, are you?"

The demon passes his hands along the sides of his head and his face turns into that of a human.

Sahjhan: "It's my street face. (A coat lands on Holtz' shoulder) Now put that on. I've lined up some men to help us."

Conference room at Wolfram and Hart. It's crowed. There are people and beings sitting at the table filling out papers. One gray skinned demon is taking a lie detector test.

Man: "Alright then, sir. Are you know or have you ever been a vampire? - Are any of your friends vampires?"

Linwood: "Thank you for coming. And correct me if I'm wrong, but the role of a psychic - is to be psychic. To predict the future, so that Wolfram and Hart doesn't find itself in this kind of predicament."

Bald psychic: "I can't apologize enough, sir."

Linwood: "You're right. You can't. (Laughs) But I'm not without compassion. I'm gonna give you a chance to save your job - and your skin."

Bald psychic smiles relieved, then frowns and leans in a bit closer to Linwood.

Bald psychic: "No, you're not. - You're gonna have me killed."

Linwood puts a hand on his shoulder: "Now, why couldn't you have had that kind of foresight when we needed it?"

Someone puts a plastic bag over the bald guy's head from behind and pulls him away from Linwood.

Mind reader: "They are telling the truth."

Lilah: "Thank you. (Steps up to Linwood) Intelligence is just coming in. No one seems to know *how* Darla could be pregnant. There is a rumor about a prophecy involving a vampire birth, but the Scroll it's recorded on seems to be missing."

Linwood: "Do you have any idea how many groups and cults and organizations would kill to get their hands on this baby? We've got to get it before anybody finds out."

Lilah: "Yes sir. And we will."

Linwood: "We need to get, dissect it, and find out what it means."

Gavin: "Berlin's on the phone for you, sir."

Linwood: "Oh, god. If they've heard about this in Berlin, Singapore and Muncie can't be far behind. Now listen, if the Senior Partners are looking to assign blame, the buck stops here, you understand me?"

Lilah: "Not exactly, sir."

Linwood: "If the Partners are looking to place blame, I'm gonna have to step forward."

Lilah: "That's inspiring, sir."

Linwood: "Yes, I'll step forward and blame you. Darla was resurrected on your watch. I can think of no better scapegoat."

Pats Lilah on the shoulder and leaves while big grin spreads across Gavin's face.

Lilah: "You think this is over? Watch and learn, rookie."

Lilah pulls out her cell phone.

A guy wearing nothing but a turban and a loincloth is meditating in front of a candle with his eyes closed. He lifts one hand and opens it to reveal a crumpled piece of paper. His eyes remain closed and he doesn't move as the paper suddenly bursts into flame and burns up on his palm.

We hear a phone ring. The guy reaches behind him and pulls out a cell phone and answers it without opening his eyes.

Guy: "Yes? - I understand."

Lowers the phone and extinguishes the candlewick between his finger. Stands up and opens his eyes to look at a sword blade leaning against the wall across the room from him.

He holds out his hand and after a beat the sword flies across the room and the handle slaps into his hand.

He whips the blade around the air as if fighting some invisible foes.

Wes is putting jelly on Darla's exposed belly, and turns on the ultrasound machine.

Wes: "Well, then. Let's take a look, shall we? (Looks at the monitor) Well, I haven't studied one of these for quite a while."

Angel: "Isn't that a head?"

Wes: "I think it is. Or is that the head?"

Fred: "Maybe you're both right. (Everyone turns to look at her) It's not like I'm suggesting it's an evil two-headed thing."

Wes moves the sensor around.

Cordy: "I see it."

Darla: "My little parasite."

Wes: "Oh, my..."

Angel: "What is it?"

Wes: "It's - it's human."

Gunn: "Human as is in humanoid? As in cannibalistic humanoid underground dwellers?"

Wes: "No - human as in - a boy."

Angel: "Boy?"

Wes with a slight smile: "A boy. A boy. (To Darla) You're carrying a boy."

Darla: "Great."

Angel: "Gonna have a son. (A slight smile creeps across Angel's face) I'm gonna have a son."

Fred: "Guys. As fascinating as an ultra-sound image of an unborn child may appear..."

Angel: "Me. A father. To a son. You know what that means?"

Fred: "We're surrounded by vampires?"

Angel: "No, it's a human bo..."

Angel trails off as he looks away from the monitor for the first time and notices the vampires lining the teaching gallery above them and the back wall of the room.

Angel: "Oh. We *are* surrounded by vampires."

Cordy: "Ahem - so, who has a plan?"

Gunn: "Don't let 'em kill us sounds like a good first step."

Vampire: "The miracle child."

The other vampires echo him in a whisper.

Vampire: "For his time has come. (All the vamps bow down) Praise be. Praise be. Praise be."

Break

Holtz and Sahjhan walk down the side walk of one of the streets in LA.

Sahjhan: "The buildings are taller, machines more powerful - and you can get really great Tai food at two in the morning. - But the thing to understand is that people are the same today as they were in your day. They drink too much. They fight. They work hard. They fall in love."

Holtz sees a picture of a family pasted on one of the walls.

Holtz: "They have families."

Sahjhan: "Yes, they still have families."

Holtz: "I hope these men you've hired are ruthless bastards."

They walk up to a metal door and Sahjhan knocks on it.

Voice: "Go away!"

Sahjhan: "It's Sahjhan. (To Holtz) This is where we'll get your men. - Very exclusive."

Holtz stands in the club watching a group of gray-skinned demons with upside-down walrus tusks train and fight each other.

Holtz: "These aren't men."

Sahjhan: "Once again: gender - not species. I should have said 'minions.' Have you seen Grappler demons fight? - Not the sharpest pencils in the box, but merciless in battle. - Okay, guys! Over here! Time to meet the new Jefe. And Flarmar, leave the head in the ring, okay?"

Flarmar grunts and drops the head he'd ripped of his opponent earlier.

Sahjhan to Holtz: "Ready to command your troops, captain?"

Holtz: "Any other surprises I should know about?"

We get a close up of Darla's belly then the camera pulls back to show all the vampires kneeling, while AI and Darla stand in the middle of the room watching.

Cordy: "Hey, I'm all for being idolized, but - what the hell is going on?"

Angel: "What do you want?"

Vampire: "To protect the miracle child."

Angel: "Protect? Ah, that's good. We're all here for the same thing."

The guy with the sword that Lilah called earlier suddenly jumps through one of the glass windows above, dressed like a ninja and holding the sword in front of him, screaming 'die!'

The miracle child worshipping vampires jump on him en masse, and he goes down with a strangled scream. We hear a crunch and someone gulping down liquid.

Vampire straightening from his meal: "As it has been prophesied - by our great potentate Ul-thar, we vow our lives to protect this - special child."

Angel aside to Darla: "You hear that? Our kid. Special."

Vampire: "Now let us kill the humans so we may use their blood to nourish the mother - and her miracle child."

Darla, smiling: "Guess I'm getting dinner after all."

Gavin is flipping through some blue prints on a table.

Gavin: "Commander, this should provide your ops team with a solid tactical base. Plan and elevation drawings of every floor in Angel's hotel. I also have strategic surveillance capabilities, so we can monitor the engagement from here."

Commander: "Excellent. I'm confident my men will be able to capture and retrieve the target. The larger question revolves around subsequent extraction of the target's cargo."

Linwood looks from the commander to Gavin.

Gavin quietly: "Getting the baby from Darla."

Linwood: "Of course. And for *that* we have called in an expert."

Lilah walks in followed by a man dressed in black.

Fetanovich: "You flatter me, sir."

Lilah: "Gentlemen, may I introduce Dr. Fetvanovich from our satellite office in the Balkans."

Linwood shakes his hand: "How do you do, doctor?"

Lilah: "Dr. Fetvanovich is the world's foremost specialist in paranormal obstetrics. We are *very* fortunate he's consented to help."

Doctor smiling: "It is I who feel fortunate. A vampire birth is, ah - unprecedented. I look forward to dissecting both the mother and the child."

Angel: "Darla, you might wanna join the fight."

Darla: "Sorry, darling. I'm gonna have to be Switzerland and sit this one out. (To vampires) Now, you did say you were just gonna kill the humans, right?"

Vampire: "Yes, just the humans. Then we will nourish you, slice you open, wear your entrails as a belt and consume your eyeballs before we worship the miracle child."

Darla jumps off the table and goes to stand beside Angel.

Darla: "Okay. I'm in."

Angel: "Gunn, you and I can hold them off for as long as we can. The rest of you, get Darla to the car."

Darla: "Oh, I'd rather stay and fight. Show these youngsters a thing or two about real carnage."

Angel: "That's thoughtful, but, you know, you should go."

Fred: "Charles, do you have an extra dagger I could borrow?"

Gunn pulls out a dagger and hands it to her.

Gunn: "This okay?"

Fred: "Perfect."

Angel: "No my count of three. One, two..."

Fred holds the dagger against Darla's belly.

Fred: "You freaks make one move and I'll slice the miracle kid into triplets."

Cordy: "It's always the quiet ones."

Vampire: "Wait!"

Fred quietly to Darla: "They don't know the knife can't hurt the baby."

Darla: "They do *now.* Vampires have great hearing."

The vampire leader smiles.

Darla: "Here we go."

The vampires attack and a big fight ensues.

Wes: "Everybody out!"

The gang back up towards the door, and begins to file out. Angel is the last to leave, staking one last vamp with a broomstick before following the others.

The camera pans around the dimly lit lobby. Suddenly a commando guy wearing a black ski mask pops up.

Guy into radio: "All clear."

Two more commandos rappel down from the upper story and another group comes in through the front doors, followed by the doctor and his equipment.

Guy: "Lobby secure, sir."

Doctor: "Lets set up out here. - Oh, and get a hose. I'm afraid there might be some blood. - And you can set baby's cage next to mama's."

Break

Gunn is looking out over the back of Angel's as it speeds down a road.

Gunn: "I think we lost them."

Angel: "Anybody hurt?"

Cordy: "Nothing a couple of band aids and a pint of Heathbar crunch can't fix."

Wes: "I'm good."

Angel: "Darla? - Darla, everything okay?"

Darla is sitting in the back between Gunn and Wes, with Wes holding a stake at the ready.

Darla: "Yeah. Fine."

Wes: "You all right?"

Darla: "It's nothing!"

Angel: "It's the kid, isn't it? Seeing him on the monitor."

Darla raises her head and we can see a tear hanging from one of her eyes.

Darla: "No, I'm just disappointed that the vamp cult didn't kill all of you guys. - So, where 're we going? I'm famished and we all know how ugly that can get."

Fred: "Where *are* we going?"

Angel: "Somewhere safe."

Cordy: "Where's safe? The hotel is definitely out."

Gunn: "How about if we go to..."

Angel: "Vegas? Sorry, Gunn, too high profile, but I agree we need to get out of dodge."

Wes: "Actually..."

Cordy: "God! I hate it when you say that word! 'Actually' means that your oversized gi-normous brain thought of something that the rest of us failed to consider, right?"

Wes: "Just, other people seem to know a lot more about this kid's importance than we do. The only thing that can help us is back at the hotel. (To Angel) We can't protect your child unless we get the scrolls."

Angel: "Okay then. Quick stop."

One of the commandos on guard in the yard hears a noise and looks around with his flashlight. When he doesn't find anything he returns to his post, only to be knock out from behind by Holtz.

The doctor is setting out his instruments on a table in the lobby. He lifts up a big curved spatula-like thing, inspects it, then picks up the rake-like thing next to it.

The doctor spins around as a door clicks shut. One of the commandos aims his gun at Holtz as he walks in.

Doctor to Commando: "Is this man with you?"

Holtz: "Where is Angelus?"

Linwood is watching Holtz walk up to the doctor and the commandos closing in on both of them on a little monitor back in the basement at W&H.

Linwood: "Who is this pirate with a sword, and what is he doing in the middle of my operation?"

Lilah: "I don't know, sir. But he called Angel by his old name, Angelus."

Linwood as the monitor begins to crackle: "I need better audio."

Transcriber is fiddling with some wires: "Any second."

Holtz: "Hand over the vampires."

Linwood: "This has gone on long enough. (To radio) I don't care who that man is. Take him out. Take him out now. (Puts down the radio then picks it back up) Over."

Commando on screen: "Take him out!"

The screen fusses out at the commandos close in and the screaming begins.

Gavin: "This should be sweet."

Linwood: "Picture?"

Transcriber: "I'm working on it, sir."

Gavin: "Burke's never lost."

Lilah: "I'm sure it'll be over in just a second."

A prolonged and heartfelt scream resounds from the speakers.

Gavin: "That should do it."

Linwood to radio: "Anybody there? - Over?"

Angel turns the convertible into a dark alley and brings it to a stop.

Cordy: "Why 're we stopping here?"

Angel: "It's only a couple of blocks from the hotel. I'll go the rest of the way on foot."

Cordy slides into the driver seat as Angel gets out and looks up at the surrounding buildings.

Gunn: "Hey, who said you get to be wheel man?"

Cordy: "Who said it had to be a man?"

Angel: "The scrolls?"

Wes: "In the cabinet back in the office."

Angel: "If I'm not back in five minutes, leave without me."

Cordy: "Leave to where?"

Angel: "Anywhere. Somewhere safe."

Darla: "Angel?"

Angel: "Yeah."

Darla after a beat: "Just get out of here."

Angel jumps onto the hood of the car and from there to the bottom rung of a fire-escape ladder and makes his way up the side of the building.

Angel runs along the corridor in the Hyperion, drops down into the lobby and looks around at the destruction of Doctor Fetvanovich's equipment and the bodies of the W&H team. He sees the doctor's body, and chicken feet sticking out of his pants.

Holtz: "Angelus."

Angel turns around and sees Holtz.

Holtz: "I've been looking for you."

Darla is still in the back of the car. Wes is sitting on the trunk facing Fred, standing behind the car. Gunn is sitting on the side of the passenger door.

Cordy starts the car.

Gunn: "He said five minutes!"

Cordy: "It's been six and a half."

Darla: "It's so typical of him."

Fred: "It probably wouldn't hurt to wait another minute, right? I mean, what's the worst thing that could happen in another minute?"

Darla lets out a blood-curdling scream.

Fred: "Ask a stupid question..."

Wes: "Her water's broken. This is for real. There should be a blanket in the trunk."

Cordy: "What are we gonna do? Deliver the kid right here? Shouldn't we go somewhere?"

Fred: "What's keeping Angel?"

Gunn gets the blanket out of the trunk and he and Wes help a screaming Darla to lie down in the back seat while the camera pulls up to give us an overhead view of them.

3x07 - OffSpring

on . Posted in Btvs Guide - Angel Script

Previously on Angel:

Wes: "The host reads their souls, senses their futures."

Cordy: "Yes, but he can only do it when they sing Karaoke."

Cordy: "Imagine what could have happened if you'd gone nuts and slept with Darla!"

Angel throws Darla through the glass doors.

Angel and Darla on the bed kissing and ripping each others clothes off

Angel: "You know I would never do that."

Angel wakes beside Darla and jerks upright in bed.

Angel: "Get dressed and get out, because the next time I see you I will have to kill you."

Shaman: "I can not help you. No one can. This is not meant to be known."

Darla rubbing her pregnant belly: "Well, I guess there's only one thing left to do. Time to go visit daddy."

Rome 1771

Some rats scurry along an underground sewer tunnel. Angelus runs by. He looks behind him and sees a group of monks carrying torches coming his way. Turns a corner, only to see other torch carrying groups of monks down a couple other branches.

Angelus comes up on a sewer grate. He pulls the center grating loose, steps through, then wedges it back in place behind him.

As he turns, he stumbles, tumbles down the slanting tunnel, crashes through another grate and lands on the floor of some underground chamber lit by torches. He is surrounded by monks with crossbows aimed at him.

A pair of double doors swing open behind him, letting in bright sunlight. Angelus throws himself to the ground out of the direct light surrounded by a thin cloud of smoke.

A rider brings his horse to a stop just inside the doors and dismounts. One of the monks leads the horse away as the rider makes his way over to a red robbed priest, while Angelus is picks himself up from the floor.

Holtz: "Mille grazie, Monsignore. Sono nel vostro debito."

Subtitles: "Thank you, Monsignor. I am in your debt."

Monsignor (st): "No, this animal murdered your family. (Points at Angelus) Hold the beast!"

Chains wrap around Angelus upper arms and chest.

Holtz steps closer to Angelus: "Monsignor Rivalli, performed the ceremony when Caroline and I were wed. You remember Caroline?"

Angelus: "Pretty lass. Hearty screamer."

Holtz: "The good monsignor has since then been excommunicated. The order he founded, Inquisitore, adheres to the old beliefs. They're traditionalists and quite good at their work. Let's get started, shall we?"

Holtz takes a sharp hook and some knives from one of the monks. We see the hook digging into the side of Angelus' neck, hear some cloth ripping.

Angelus: "Ah. Aah!"

We see the sun rise and set while hearing Angelus' screams in the background.

The monsignor is walking cross the room, reading a book. Holtz is sitting on a bench, drinking from a cup. We hear some monks recite in the background and Angelus gasping in pain.

Holtz: "You lost me in North Africa. I knew you'd come back to Europe, but *Rome* Angelus? (Gets up and walks around Angelus, suspended from the ceiling by chains around his wrists) Why in Gods name would you come to the seat of all that's holy?"

Angelus: "Darla - she loves the Sistine chapel."

Holtz: "Michelangelo?"

Angelus: "Not him. She's mad about Botticelli's frescos. (Groans) The Temptation of Christ is her favorite - probably because of the leper. (Sighs) What do you want, Holtz?"

Holtz picks up a three-pronged claw and looks at it.

Holtz: "I don't want anything. My family is gone. I don't trust you to give me Darla, although I *will* find her, you know that. My only desire here - is to discover if a thing such as yourself can be made to pay for its sins. (Holtz digs the claw-thingy in somewhere below Angelus waist (off screen) and Angelus groans in pain) You're a demon. It is your nature to maim and kill. But you were also once a man. If we beat and burn the demon out of your living flesh, will there be anything left? (Holtz digs the claw in again and Angelus groans in pain) Anything at all? I doubt it. But I'm willing to spend the next fortnight of my life finding out. - In either event - you have no soul, you can not be saved."

A flaming arrow streaks across the room and buries itself in one of the monks.

Darla: "Sorry it took me so long darling."

Darla is standing in a tunnel opening, holding a crossbow loaded with another flaming arrow. There are other vampires with her.

Darla: "Kill them."

Darla fires her flaming bolt, hitting Holtz in the shoulder. The vampires streak past her and attack the monks. Several vampires get staked by the monks during the fight, but that doesn't slow the rest of them down.

Monsignor confronts Darla with a cross held in front of him.

Monsignor: "Vai' all inferno, demonio lordo! (caption) Go to hell foul demon!"

Darla pushes the cross aside, then sends the Monsignor flying into a wall.

Darla: "No, grazie, padre."

The double doors that Holtz rode in through is pulled down and a horse and carriage driven by a blanket shrouded vampire trot in.

Darla unclips Angelus chains. Two other vampires catch him under the arms and drop him onto the back of the cart. Holtz tries to get up. Darla knocks him across the chin, then joins a groaning Angelus on the cart.

Angelus: "Darlin'?"

Darla: "What?"

Angelus: "Shouldn't we be killing Holtz?"

Darla: "I know, but it's just so much fun ruining his life. He's like family now."

Angelus pulls Darla into a kiss as a vampire covers them with a tarp. The wagon heads out into the sunlight, with the blanket shrouded vamp at the reins.

A public bus (Downtown LA - Hollywood) pulls over to the side of a dark and deserted street in LA.

Darla: "Right here is fine. (To bus driver) Thanks for the lift. That didn't take long at all. (Gets off the bus) And they say there is no public transportation in LA."

The bus driver turns slowly and looks towards the back of the bus. Three passengers are slumped in their seats with twin puncture wounds visible on their necks. Four other people are huddled down in the back of the bus.

Bus driver fumbles out his radio: "Help! We got a code twelve on the 5-8 line! We need help here now, for god's sake. Now!"

Darla walks away across the street.

Intro

Cordy is arranging some flowers in a vase down in the basement of the Hyperion. Angel walks into the training area and sees that there are several vases of them scattered around the room.

Angel: "What's this?"

Cordy: "Oh, it's just so dark and lifeless down here, I thought I'd brighten it up a little for you. (Angel picks up one of the vases) You can't exactly go out and enjoy the sunny fields of nature, but that doesn't mean we can't bring a little bloom into your darkness."

Angel: "They're fake."

Cordy: "Yeah. You put something real in this hellhole and it die (snaps her fingers) like that."

Angel puts the flowers down, looking at Cordy.

Cordy: "Thank you, Cordelia?"

Angel: "You know, I've been around a long time..."

Cordy: "Which reminds me. Next birthday, you think we could skip the two-hundred and fifty odd candles on the cake and the inevitable fire marshal and just go and just go with a little song?"

Angel: "And I've never known anyone like you."

Cordy: "Well, duh! Times a wasting, big guy. Can we do it? (Takes on a stance) Hi-yeah!"

Angel chuckling: "Okay. Last time we were working on not pulling your punches and your kicks. Right? Don't worry about me. (Cordy hits him and he deflects the punch with his arm) That's good. (Cordy swipes at him again) Good! Where is your weight? (Angel looks down) Balls of your feet?"

Cordy swings and hits him across the face full force.

Cordy: "Oops! Oh god, you said that... (Angel straightens back up, smiling) Are you okay?"

Angel: "I'm a vampire. You can't hurt me. Good."

Angel turns away from her and makes a face, gingerly feeling his nose.

Cordy: "You're off your game. It's because of the prophecy Wes and Gunn are trying to get their hands on. You think the end is coming."

Angel turns back to face her: "The end is not coming. Someone is always uncovering some ancient scroll, and they're always saying the same thing: that something terrible is coming. Do you know how many of these things I've seen in my very long life?"

Cordy: "Four?"

Angel: "Three. But there's nothing to worry about."

Cordy: "Then way are Gunn and Wesley breaking and entering right now?"

Angel: "Breaking and entering is such a negative term. They are simply retrieving some missing pieces from the Nyazian Scroll. Just to make sure..."

Cordy: "That the end is coming. - Well, all we can do is live each moment to the fullest and be grateful that we didn't throw too much money at the NASDAQ."

Angel blinking his eyes and lifting a hand towards his face: "Am I swelling?"

Camera sweeps over some big houses, surrounded by big gardens on a sunny plateau with some mountains in the background. Pans past some old oil paintings and statuary to show Wes, dressed in black, sneaking up on the window and look into the window from outside. Wes motions and Gunn walks up beside him.

Wes: "Step one: Dobermans are happily gnawing on the steak. Alarm and vid lines are disabled (pulls out a scanner and looks at its display) no infrared. Caught a break there. Step two: we cut a hole in the glass, snake in the mini-cam and scan the interior."

Gunn walks over to look in the glass door while Wes pulls glasscutter with a suction cup out of his duffel bag and attaches it to the window.

Wes: "If it's all clear, we disable the locks and bolts on the side door thus completing... (Gunn tries the door and it swings open) ...step three."

Wes closes up his duffel and moves over to follow Gunn inside, then hurries back to detach the suction cup from the window and stow it in his bag while Gunn waits for him inside.

Wes hurries in and motions for Gunn to close the patio door.

They open the doors into an adjacent room, in which all sorts of things are on display.

Gunn looks around and whistles.

Wes: "Can you believe this?"

Gunn looking around: "Some guys collect old cars, some guys collect..."

Gunn flinches back as he spots a misshapen, one-eyed demon head in a glass case. Then he and Wes lean in for a closer look.

Gunn: "It's like - the eye follows you wherever you go."

Wes walks over to a bottle sitting on a pedestal, pulls out the stopper and takes a sniff before closing it again.

Wes: "Alright. If you were the priceless remnants of the lost Nyazian Scroll, where would you be?"

Gunn: "If I was priceless - I'd be in the vault."

Wes: "The vault? Your snitch never said anything about a vault!"

Gunn: "I got a bad feeling about this."

Wes: "We figure something out. It's just a - vault."

Gunn: "Actually my bad feeling is more about the man standing behind you with the large revolver."

Wes turns to see a guy standing in the door aiming a gun at them.

Man: "Move and I'll kill you.

The man edges into the room and reaches for the telephone with one hand while still aiming the gun at them with the other.

Wes: "I hope you're calling the police."

Man: "You bet I am."

Wes: "Good. You can explain to them why you keep so much GHB on hand. (Wes walks over to the bottle on the pedestal) You know, Rohypnol, the date rape drug."

Man: "What?"

Wes indicates the bottle: "Muslok Trancing Amalgam. Under the microscope it's virtually indistinguishable from GHB."

The man slowly puts the receiver back down.

Man: "Alright. I won't call the police."

Wes: "I'm glad we understand each other."

Man: "Until after I kill you."

Wes: "Oh."

Gunn picks up four red glass balls out of a bowl on another stand.

Gunn: "Hey, these worth a lot?"

Man: "Yes. They're Cyopian conjuring spheres."

Gunn: "How much? Four figures each? Five? (Starts to juggle two of the balls with one hand) More?"

Man: "Stop that!"

Gunn: "Put the weapon down."

When the man hesitates, Gunn lets one of the balls drop and it shatters with a liquid splash as it hits the floor.

Gunn: "Kind of delicate. (Juggles the remaining three with both hands) Look, we're not thieves, we're investigators. Now, we need to look at your Nyazian Scrolls. Put the weapon down, because - I'm getting kind of tired here."

Man: "Alright!"

Man puts the revolver down on a glass case and Wes retrieves it.

Gunn drops another ball (the owner lets out a fearful gasp) only to bounce it off his foot and catch it again.

Gunn: "I always wanna give them a big finish.

Fred comes down the basement stairs of the Hyperion.

Cordy: "Ow. That doesn't feel right."

Angel: "Just relax. You have to bend."

Cordy: "I don't bend there. - Okay. Now that's downright unnatural."

Angel: "I know it feels strange, but if an attacker comes at you from behind, you wanna be able to shift all your weight immediately to your other foot so you can spin and kick. Here, you try it."

Cordy spins and kicks up against Angel's chest. Angel catches her, one arm around her leg another around her waist to keep her from falling.

Angel: "Whoa! Easy. Alright. That's alright. (Lowers her leg and lets go of her) That's better. We'll keep - working on it. Okay. That's probably enough for today."

Cordy: "Yeah, well, we could do more of it, but then I'd have to ice every bone in my body. See you."

Cordy walks towards the stairs, one hand pressed against the small of her back.

Cordy: "Hey, Fred."

Fred: "Hey! - Kye-rumption."

Cordy walking up the stairs: "Well - back at you."

Angel: "What did you say?"

Fred: "Kye-rumption. It's the one nice word I remember from the Pylean hell dimension."

Angel: "What's it mean?"

Fred: "It's when two great heroes meet on the field of battle and recognize their mutual fate. It's also a kind of grog made out of the ox dung but that's archaic."

Angel: "Oh, ah, that's interesting."

Fred: "When I see you and Cordelia sparring Kye-rumption always comes to mind."

Angel after a beat: "Me and Cordelia."

Fred: "I know. She's such a hero, with the visions and the courage. It's only natural that you and she would be drawn to one another. - Oh! Plastic flowers! (Hurries over to one of the vases) My favorite! They never fade, you know."

Angel: "Oh, whoa, wait a minute. There's nothing going on between me and Cordelia."

Fred: "Nothing but Moira."

Angel: "Who's Moira?"

Fred: "Moira is the gut physical attraction between two larger than life souls."

Angel: "Ha. No, there is no attraction. Cordelia is a friend. Someone I work with. That's all."

Fred grinning: "See? You're being chivalrous. Because you 're a hero, just like her. You got Kye-rumption!"

Angel: "Stop using that word!"

Wes: "What's going on down here?"

Angel: "Nothing."

Wes: "I believe Fred's been through enough recently without people shouting at her."

Fred: "He didn't mean anything by it."

Wes just stands there, looking at the floor.

Angel: "Is there something you wanted?"

Wes: "Yes. (Looks at Fred) Gunn and I were hoping you could give us a hand with the Nyazian Prohecies. We need someone who can do the math."

Fred: "Sure!"

Fred starts up the stairs.

Wes looks around: "Who gave you all the flowers?"

Angel: "Nobody."

Gunn is throwing darts at a board in the office at the Hyperion. Wes is sitting at the desk, writing. Fred is sitting beside him, working on the laptop. Cordy is at her own desk.

Gunn: "So, how are you doing there, Fred?"

Fred: "Oh, it's a simple equation, really. The ancient Roman calendar has fourteen hundred and sixty-four days in a four-year cycle. The Etruscan, Sumerian, and Druidian each have their own cycles. You work forward from the presumed day of the prophecy under each calendar, factoring in our own three hundred and sixty-five day calendar and accounting for a three day discrepancy for every four years and..."

Angel walks into the lobby, he sees Cordy sitting at her desk and stops before anyone notices he's there.

Fred: "Oh. - That can't be right. - Unless the world ended last March."

Gunn: "So, are we talking Armageddon - or bad house number? (Sits down in the chair in front of Wes desk) Is it a bad event - or a bad guy?"

Wes: "It's not clear on that. It predicts the arrival or arising of the Tro-clan, the person or being that brings about the ruination of mankind."

Gunn: "So it's a two for one. Isn't that nice."

Wes: "And I'm not sure on the translation. Ruination may in fact mean purification."

Gunn: "Purification? So this Tro-clan is a good thing?"

Wes: "I doubt that. But it's purification in Aramaic, ruination in ancient Greek and in the lost Ga-shundi language it means both."

Cordy: "And you don't want to make the same mistake twice."

Cordy looks up from her desk at Wes, who looks down at his papers.

Wes: "No."

Fred: "What mistake?"

Wes: "There was another prophecy a while back. It seemed to be about Angel and contained the word 'Shanshu' which I thought meant to die and I - sort of told Angel..."

Cordy: "...that we was going to die."

Fred: "Oh, no."

Wes: "Then I found out it also meant to live. It meant to die and to live."

Fred: "So - which is it?"

Wes: "Both. In his case it meant that some day the vampire in him might die, but the human in him might live."

Angel is standing at a corner in the lobby, listening.

Fred: "That he would be like a normal man?"

Angel slowly lifts his head and looks at Cordy working at her desk.

Wes: "Yes."

Fred: "Wow. What would we do if that happened?"

Cordy: "I'd buy him some plaid shirts and take him to the beach. The boy needs some color."

Fred goes back to typing on the laptop.

Fred: "There. That came out better. - Oh. No it didn't. It's still very preliminary, but - if these calculations are correct, this bad thing should already be here. (Looks around) Well, I-I guess not right here, but - here in LA."

Angel walks into the reception area and sits down.

Fred: "Let me run these numbers again."

Cordy: "Hey."

Angel: "Hey."

Cordy after a while: "Why are you looking at me like that?"

Angel: "Ah, no reason."

After a moment Cordy gets up and walks past Angel to pour a cup of coffee.

Cordy: "Okay. It's getting creepy now."

Angel: "I was just thinking about things. - People. You know. How they relate. Take you and me for instance. We're very different. *Very* different. Obviously (points at Cordy) human (points at himself) vampire. (points a Cordy) Woman (points at himself) man...pire."

Cordy: "Has someone been putting vodka in your blood?"

Angel laughs: "See? You're funny! And I, well I get off a good one every once in a while, but you..."

Cordy, sipping her coffee: "Angel, are you trying to say you love me?"

Angel: "What?"

Cordy: "I love you too."

Angel: "You do? When did this..."

Cordy yells towards Wes open office door: "Angel loves me. I love him."

Angel: "Oh, my god!"

Cordy: "You guys love us and we love you."

Fred, Wes and Gunn chorus: "We love you Angel."

Cordy: "They were all saying it earlier. Just in case this prophecy comes true and we all die. - You're not gonna wanna hug, are you?"

Angel clears his throat and sits back shaking his head: "No."

Cordy goes back to her desk: "God knows we've been through a lot together."

Angel: "That's really all I was trying to say, that we've been through so much together, you and me, as *friends.* You've seen the - good, - and the not so good."

Cordy: "Just like you have in me. And for the record: the good I've seen far outweighs the bad."

Angel after a beat: "Thanks. You, too."

Cordy: "Hey, what are friends for?"

Darla: "If you ask me, they're for knocking you up and leaving you high and dry."

Angel spins around to see a very pregnant Darla standing on the top landing leading down into the lobby from outside.

Darla: "Hello, lover. Long time no see."

Break

Angel: "Darla."

Cordy: "Darla?"

Wes: "Darla!"

Fred: "Who's Darla?"

Gunn: "Angel's old flame from way back."

Fred: "Not the one that died?"

Gunn: "Yeah. No, not that one. The other one that died and came back to life. She's a vampire."

Fred: "Y'all have a chart or something?"

Gunn: "In the files. I'll get it for you later."

Angel: "Well, when did this happen?"

Darla comes down the steps: "You know *exactly* when it happened."

Cordy: "Angel - did - you and Darla...?"

Angel: "Uh..."

Cordy turns to look at him.

Angel: "This is impossible."

Darla: "Tell me about it - daddy!"

Cordy: "You slept with her?"

Angel: "Vampires can't have children. Wesley?"

Wes: "Ah, no, he's right. It's not possible."

Cordy: "That's not what I asked."

Darla: "You know we can't. I know we can't. But - we did."

Fred: "I wonder if this might not be that bad thing we were expecting."

Darla: "What did you do to me?"

She hits Angel across the face and he stumbles back against the weapons cabinet behind him.

Cordy steps between Angel and Darla: "Stop that!"

Angel: "It's okay. It's alright. I'm okay."

Cordy: "You'll hurt her! Haven't you done enough? (Turns to Darla) Here, sit down. You should get off your feet."

Cordy leads Darla over to the round settee, then looks back at the others.

Cordy: "Can we get her some water?"

Fred turns to go get it.

Angel: "Cordy that's *Darla.* Maybe you don't want to..."

Cordy: "Did you or did you not look me in the eye and say that you would *never* do a thing like this with her?"

Darla: "Oh, he lied? What a surprise."

Fred carrying a glass of water: "Hi. I'm Fred. Is water okay, or did you want some blood?"

Darla takes the water as Wes gently pulls Fred back away from Darla.

Angel: "Cordy. I'm sorry - I lied. It was just - it was a very dark time."

Cordy: "Oh! You used her to make *you* feel better during *your* dark time. Well, that makes it *all* heroic."

Angel: "It wasn't like that. It just - happened. It wasn't like I went *evil* or anything, I just..."

Cordy: "You just went male. (brushes the hair out of Darla's face) Have you been to a doctor."

Darla gives her a look: "No. But I have been to every shaman and seer in the Western Hemisphere."

Wes: "And what did they say?"

Darla: "They don't know what it is. They don't know what it means. Nothing like this has ever happened."

Angel: "Maybe it's an hysterical pregnancy."

Darla: "You wanna feel it kick?"

Cordy: "Does it kick a lot?"

Darla: "Like crazy."

Angel: "well, now wouldn't that be the first sign of... (Cordy gives him a look) ...hysteria?"

Cordy: "What can we do for you?"

Darla: "Well, you can get you little gang of supernatural detectives to find out what the hell is happening to me and how to stop it."

Cordy looking at Darla: "Are you gonna take some responsibility here? (Looks up at Angel) Angel?"

Angel: "Oh, me? - Of course I am. - Wes, lets get on this right now."

Wes: "What do you suggest?"

Angel: "I suggest you use your books and find out what's going on. What, do I have to think of everything?"

Wes picks up a book from the counter and opens it.

Wes: "Oh, here it is."

Darla straightens up in her seat and Angel walks over to Wes.

Wes: "It says 'I have absolutely no idea what's going on.' (Closes the book) We should talk to the host."

Lorne: "Oh, this is all wrong."

The camera pulls back and we see that he is looking at two people holding up a modern painting.

Lorne: "Try it on the back wall. Far away from where folks might be eating."

Muses: "Violence abounds, violence restrain, this space a sanctuary was and shall be again."

Lorne: "That's great girls. - Hey, Arnie, why 're you charging me twelve hundred over the estimate here?"

Arnie: "Had to run a separate two twelve to the security box. Double insulation everywhere in the building. Plus, we had a run on Kek bile and Bin-der glands. And you know what you said: 'This club's my baby. I want top drawer through out."

Angel: "Lorne! You here? - You got to help me. We got (looks back at the others filing in behind him) kind of a situation on our hands."

Muses: "Mmm, Angel."

Cordy: "And here we have three more of Angel's chippies. You girls are on the pill I hope."

Muses: "Mmm."

Angel smiles and waves at them then walks over to lean in close to Lorne.

Angel: "What are they doing here?"

Lorne: "They're here to help recast the sanctuary spell to prevent violence in the club. And this time I'm covering demons *and* humans. I'm opening the club again. I know I was blue for a pretty long time. If it'd gone on much longer I would have turned aquamarine. (Lorne is the only one laughing) And now that the ice is broken (turns to Darla) what happened here?"

Darla: "What's it look like?"

Cordy: "Angel boned her."

Angel: "Just once. Just the one night. Ah, just the two or three one times that one night..."

Fred: "Is Angel gonna sing?"

Gunn: "Oh!"

Wes: "I suppose he has to."

Cordy: "She's carrying the baby!"

Darla grabs Lorne by the lapels, pulls herself in close and starts to sing: "Oh, Danny boy.... What the hell's inside me?"

Lorne: "Oh, no, no, no. We're way past singing, mes enfants. This is a brand new day here. (To the club at large) Alright every body, that's a wrap! (People and demons start filing out) We'll finish the spell tomorrow. We got a little crisis brewing. Thanks for coming! Check's in the mail! Get the hell out."

Muses, speaking in turn: "Bye Angel, come see us soon. Mmm..."

Cordy: "Men!"

Lorne: "This is way beyond my ken - and my Barbie and *all* my action figures. If it's alive..."

Darla: "Oh, it's alive! And kicking!"

Lorne: "It could be anything. A child born to two vampires..."

Gunn: "Maybe it's some kind of 'ueber'- vamp."

Wes: "The Nyazian prophecies mention a Tro-clan."

Fred: "That's supposed to be here about now."

Lorne: "Born out of darkness to bring darkness."

Angel: "Great. So, we're saying that my child is - the scourge of mankind?"

Darla moans.

Cordy: "You guys are upsetting her! (To Lorne) I think she needs to lie down."

Lorne: "Yeah, of course. She can have my bedroom."

Lorne and Cordy help Darla up and start to lead her towards the back of the club. When Angel starts to follow Cordy stops him.

Cordy: "We can handle it."

Cordy and Lorne lead Darla into Lorne's bedroom.

Cordy: "I think we should call a doctor."

Darla: "It'll pass. I just have to - let it."

Darla lets herself drop onto the bed and Cordy sits down on the edge of it beside her.

Cordy: "I'll stay with her."

Lorne: "If you need anything, just holler."

Cordy: "Okay."

Lorne leaves the room.

Angel: "I don't accept this. These stupid prophecies, you can always interpret them a hundred ways from Sunday. How do we even know your calculations are correct?"

Fred: "I don't. I'm still working on them."

Gunn: "Well, we do know that Darla is pregnant with something!"

Angel: "That's biologically impossible."

Lorne: "And mystically unfair. You've fought long and hard for good. If your destiny is to spawn something evil..."

Angel: "I don't see how anything spawned by Darla and me could be good."

Wes: "You know the first prophecy that said that the vampire with a soul would be pivotal in the battle between good and evil?"

Gunn: "That Shanshu one?"

Wes: "Maybe it's not you. Maybe your child is a pivotal figure. Maybe your destiny is simply to help bring to the world."

Angel after a beat: "Or to stop it."

Fred: "Can I say something about destiny?- Screw destiny! If this evil thing comes we'll fight it, and we'll keep fighting it until we whoop it. 'cause destiny is just another word for inevitable and nothing's inevitable as long as you stand up, look it in the eye, and say 'your evitable!' - Well, you- you catch my drift."

Lorne: "Wow. I like her so much!"

Angel: "I wanna see these prophecies myself, and your calculations, Fred, and anything else we got on this."

Fred: "Why don't I go back to the hotel and get everything?"

Wes: "Good idea. We put our heads together and figure out a way to fight this thing."

Fred leaves and Angel turns to Lorne.

Angel: "How's she doing?"

Lorne: "Well, she's weary. The poor thing looks like she's about eighteen months pregnant. Hope they're not twins."

Angel: "Not her. Cordelia."

Lorne: "Oh, ah, I sense that she's - hurt and *pissed* what with the lying and deception and ecetera. You should probably stay out of her way for a while, huh?"

Cordy: "How're you feeling?"

Darla: "Just crazy."

Cordy: "What?"

Darla: "Why would anyone bring something into this world?"

Cordy: "I was pregnant once. (Laughs and holds out a hand) I was out to here - overnight! Mystical thing. I didn't go to term, but while it lasted, hooh! Talk about uncomfortable! Your back and legs hurt all the time and first you're sick to your stomach and you can't eat anything and then your ravenous! Are you able to eat or do you just..."

Darla levers herself up: "What? Drink?"

Cordy: "Well, it's - really none of my business, is it? - You should rest (Cordy gets up) and I should (starts to walk towards the door) I'll just be real close by. If there is anything that you need... (Darla morphs into vampface) Anything at all..."

Cordy is about to open the door, but Darla is suddenly there, holding the door shut.

Darla: "I'm hungry all the time. It's weird."

Cordy: "Sure. You're eating for two now. It's only natural."

Darla: "No, what's weird is - no matter how much I feed - I can't seem to get full."

Cordy punches Darla hard across the face. Follows it up with a second punch, then pulls out a cross to ward Darla off.

Cordy: "Pregnant or not, you're *going* to keep your distance."

Darla bats the cross aside, grabs Cordy and throws her across the room against a table. Then she clamps a hand over Cordy's mouth to prevent her from screaming and sinks her teeth into the side of Cordy's neck.

Break

As Darla bites her, Cordy gets hit by a vision. Darla backs away from her for a moment while we see flashes of some arcade, then lunges back in - only to get pulled back away by Angel.

Angel: "Get away from her!"

Angel picks Cordy up and carries over to the bed.

Angel: "You're gonna be alright. You're gonna be alright."

Cordy holding the side of her neck: "Ouch!"

Angel presses a cloth over the neck wound.

Angel: "Cordy, you're gonna be all right. I'll kill her for this."

Cordy panting: "You're gonna have to find her first."

Angel looks around. Darla is gone.

Out in the club the others are just picking themselves back up, when Angel comes out, carrying Cordy in his arms.

Angel: "She bit Cordy."

Lorne: "Oh, sweetie, are you alright?"

Angel: "No. Where is she?"

Wes: "She got away."

Gunn: "We tried to stop her by hitting her fists and feet with our faces, but..."

Angel: "We'll take Cordy to a safe place and we'll take care of Darla."

Hyperion, night, Cordy is lying on a bed with Angel sitting beside her.

Angel: "Are you feeling any better?"

Cordy: "Yeah. You don't have to stay with me."

Angel: "Gunn's gonna be right here."

Cordy lifts her head to look at Gunn: "Thanks."

Angel: "I'm not gonna keep telling you how sorry I am. I'm gonna tell you - that she'll never do it again."

Cordy: "It was my fault, Angel. I felt sorry for her. She looked so helpless - like a mother. - I forgot what she really was. - I'm starting to feel the pills."

Angel gets up and backs away from the bed as Cordy's eyes drift closed.

Angel quietly to Gunn: "You see Darla anywhere in range..."

Gunn: "I'll take care of it."

Angel turns to go.

Cordy sits up: "Wait! - When she bit me I had a vision. I almost forgot."

Angel comes back and sits back down on the edge of the bed.

Angel: "What did you see?"

Cordy: "It was like no vision I ever had before. - She's so hungry. - She doesn't know how to make the hunger stop. - I think I know where she's headed."

Angel is arming himself from the weapons cabinet.

Wes: "I'm not speaking to you as the boss, because I know you wouldn't listen, but you shouldn't do this alone."

Angel: "I *have* to do this alone."

Wes: "Angel, a normal vampire is strong, and Darla wasn't normal before this. She took down the host, Gunn, and me without even breaking stride. She's stronger than all of us right now, including you, because of what's in her."

Angel: "I know. I put it there."

Angel turns away and hurries out.

Wes: "Why does he think he has to do everything alone?"

Fred: "I think he just can't bear to have us see him do it."

Wes: "Kill Darla? She did try to kill Cordy - and she's a vampire."

Fred: "Who is carrying his child. The one thing he can never have, even if he lives forever."

A busy arcade, there are kids and noise everywhere. A little blond boy stands in the middle of the confusion, looking around.

Boy: "Mommy? - Mommy? - Mommy?"

Darla: "What's wrong, honey? Lost your mommy? (Boy nods) Let's go find her together, hm?"

The boy nods and takes her hand. Darla turns to lead him away.

Woman: "You're a brave woman! (Darla stops and looks over her shoulder) About to have one, taking another one out to play."

Darla: "Oh. I love children. I could just - eat them up."

Darla and the woman smile at each other and go their separate ways.

Break

Cordy is sleeping on the bed, dreaming of Darla biting her and getting the vision. She jerks awake with a gasp.

Gunn comes over and sits down on the edge of the bed.

Gunn: "Hey, hey! It's alright. It's just a dream, okay? I'm right here. She can't hurt you."

Cordy: "I have to talk to Wes."

Cordy is pacing in Wes' office.

Cordy: "It was a dream, but - it was more like a vision."

Wes: "About what?"

Cordy: "About what's inside Darla. (Sits down) This Tro-clan thing - the prophecies say that it will be born - or it will arise?"

Wes: "It says both. The middle English eyrizan and the Gothic urreisan, both mean to appear, to spring up."

Fred: "Angel's not answering his phone. Should I leave a message on his voice mail?"

Cordy: "He doesn't know how to use his voice mail. Just try his pager."

Wes: "There is also a reference to the Tro-clan being boren, which is pretty plain middle English for being born, to bear."

We hear a pager go off. Gunn checks his belt, then gets up and walks over and pulls Angel's pager out of the pocket of the coat hanging in the corner of Wes' office.

Gunn: "Well, we found Angel's beeper."

Wes: "What is it, Cordy? What is the vision trying to tell you?"

Cordy: "I think they're trying to tell me *why* Darla is craving younger victims."

Darla is crouched in front of the little boy in a deserted corner of the arcade.

Boy: "Ma'am, I don't think my mom is back here."

Darla: "Are you sure? Did you look?"

The boy looks around.

Boy: "I don't see anybody."

He turns back to see that Darla has morphed and lets out a scream. Angel runs across some of the arcade games and tackles Darla against the wall and slams the stake in his hand towards her heart. Darla puts up a hand to ward it off the stake pierces her hand until it comes out on the other side.

The boy runs away screaming, straight into his mother's arms out in the crowd.

Mother: "There you are! (Catches him up in her arms and hugs him close) Where have you been? How many times have I told you not to wander off!"

Darla tosses Angel out from the deserted section. The mother's eyes widen as Angel lands on top of some tables, over turning them. People in the crowd see Darla follow him out, still wearing her vampface and turn to run away, screaming.

Darla pulls the stake out of her right palm and lets it drop as she walks towards Angel.

Darla: "You *so* want to play the good guy, don't you? Yeah. You're the good guy who did *this* to me."

Hauls back and knocks Angel across the face, slamming him against one of the games.

Darla: "You may have the face, but you don't know the hunger! It pounds! You can't make it go away! You can't stop it!"

Angel: "I'll stop it!"

He hauls back and hits Darla. The two of them fight. In the end Angel manages to grab Darla by the throat and push her up against the wall.

Darla: "How could you put this in me? I *hate* you!"

Darla hits him again, but Angel refuses to let go of her throat.

Darla: "They breathe. They breathe and pound. I don't breathe, you idiot! You can't strangle me!"

Darla laughs.

Angel: "I'm not gonna strangle you."

Angel pulls her away and slams her back up against the wall, pulling out another stake.

Darla: "Come on! Do it! (Angel hesitates) Do it!"

Angel slowly lowers the stake and looks down at Darla's belly. We hear a heartbeat. Angel slowly steps back from Darla. Darla lunges, grabs a hold of Angel's jacket and shakes him.

Darla: "Do it! Do it! Make it stop!"

Angel gently restrains her, wrapping her tightly in his arms and pulling her up against his chest.

Angel: "No it won't, Darla. Darla, listen to me."

Darla: "Make it stop! Make it stop."

Angel: "The child. The child has a heartbeat. It has a soul."

Darla flailing wildly: "No! Not my child! No!"

Angel: "Our child. Ourchild. Our child. That's why you've been craving purer and purer blood. That's why it's been driving you out of your mind. It has a soul."

Darla collapses against Angel's chest, sobbing: "No, it doesn't."

Angel holding her: "It does."

Darla: "It can't."

Angel quietly: "Yes, it does. It does."

Angel helps Darla to lay back down on a bed in the Hyperion and hands her a mug.

Angel: "Here, drink this."

Darla takes a gulp then makes face.

Darla: "Pig's blood?"

Angel: "You need to keep yourself nourished. You'll get used..."

Darla throws the pug against the wall, shattering it and splashing the wall with blood.

Angel: "You're not alone in this anymore. We'll deal with this together."

Darla: "Gosh. I'm the luckiest vampire girl in the whole world. - Get away from me."

Angel gets up: "Try and get some sleep."

Darla: "How's Cordy? She wanna come up and visit?"

Laughs.

Angel walks up to Gunn, standing in the door holding a loaded crossbow.

Angel: "She goes near Cordy, or Fred..."

Gunn lifting the bow: "I know."

Angel: "Don't underestimate her. The woman is stronger than all of us right now."

Angel walks down into the lobby and sees Cordy and Wes leaning over an open book on the reception counter together.

Angel: "You're not to go near Darla for any reason without me, Gunn, and a lot of crossbows standing between you. You understand?"

Cordy: "Oh, yeah. And if I forget (indicates the bandage on the side of her neck) I have a nice little reminder."

Angel: "That goes for you, too, Fred."

Fred looks up from the laptop: "Gotcha."

Angel goes to sit down on the settee in the middle of the lobby and Cordy walks over to him.

Cordy: "So, I guess you're gonna be a father."

Angel after a beat: "Guess I am."

Cordy: "I felt it in my dream. The same thing you did - when you found her. (Sits down beside him) It has a soul."

Wes: "Well, Angel has a soul. It makes sense. As much as any of this does."

Angel looks down at his folded hands.

Wes: "Angel, even with a soul, she could give birth to what's spoken of in the prophecies."

Angel looks at Wes: "The thing that's coming to kill and burn us all? - I know that. - I also know the child is mine."

Wes: "Right."

Cordy: "Well! Another big fun day at Angel Investigations. (Gets up) What do you say we pour ourselves a good stiff..."

Fred: "Uh-oh."

Cordy: "A good, stiff uh-oh?"

Fred: "Remember before when I said I thought that maybe, possibly, perhaps I might have been off in my earlier calculations? And you asked Wes if he thought if the Tro-clan was prophesied to arise or be born and he said it could be both? And we all know that the Latin for arrive is arripare, to come to land or possibly in this instance simply to come to, as from a deep sleep?"

Angel, Wes: "Fred!"

Fred: "Right. I believe that whatever this thing is, it's arriving right about (looks down at a watch) three, two, now."

A busy section of LA, night, people are walking past, talking. The camera sinks through the ground down into a round chamber, lit by fires in the alcoves along the wall. The ceiling is supported by a circle of pillars.

A stone statue and two bowls holding more flames are set up, forming an equal triangle inside the circle of pillars.

A demon walks in and stops in front of the statue.

Sahjhan: "The weight of time is heavy on the world. And all men born must die. But there are worlds unknown, where dreamers dream and sleepers sleep, and patiently await. As pledged in Caladan by Cod-she, (Sahjhan steps back and throws some powder at the statue) One shall awaken in the first year of the final century. That one, who lived before and joined Cod-she in the great sleep. Arise, as was promised and foretold. Arise. - Arise!"

Nothing happens. The demon turns away and walks over to one of the fires and lights himself a cigarette. Turns back to watch the statue, puffing. Checks his watch. Takes another drag.

Suddenly the room begins to shake and blue lighting flashes. The eyes of the statue suddenly turn into two open, human looking eyes. The statue cracks then crumbles to the ground in a cloud of dust.

The demon puts out his cigarette and walks over to the figure huddled in the middle of what's left of the statue.

Sahjhan: "Welcome to the twenty first century. (Crouches down and puts a hand on the back of the figure) Angelus is here. You'll see him soon. - You haven't used your muscles in a very long time. It will be a while before you're strong enough to..."

The figure suddenly straightens up. It's Holtz.

Holtz: "Just tell me where he is."

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